Irritatingly, I pretty much know the plot of my stalled fic, I just can't convince myself everyone's acting like themselves while I tell you what it is. So I'd much rather just describe the premise at this point than make it an SPN story with resonance.

But that's just me.

Reading a plotless story with just the feels is easier to do than a overly plotty story without enough relationship--in SPN. Because the show is predicated on a relationship, but not all shows are. Even if you're not a shipper, most people are there for one of the interactions, as well as (or instead of) the business (vs family).

I used to read a lot of case files before I got properly shippy and they almost turned me off fic, because they paid lip service to plot, and did it really badly, but were just vehicles to serve up identical relationship dynamics every time (thank you Korotny). I'd rather a story not pretend too hard, so I know what I should be expecting, and whether I should bail.

I tend to think plotty stories, done well, are harder, but character is necessary to plot, and plot can (and should) include the working out of relationships. A romance novel has a plot, after all: the working out of the relationship, and it has to include the setup, complications, and resolution, the same way a casefile does.

The difficulty comes with the subject of the plot, because the logistics of a plot involving a fight against killer robots are more complicated than the logistics of Nate and Sophie realizing they're in love.

I think it's easier to cheat with purely-relationship stories because we all know the beats and tropes so well that if someone gives us a paragraph summarizing the relationship history at the beginning of a story, it's just useful information--you can cut to the chase (or the porn). Whereas in a story about killer robots, a paragraph about how the killer robots arrived from Pluto and the Leverage team is on the run, reads like the writer's too lazy to tell that story.

I dunno if that makes any sense.

I've got several stories saved where there's two pages of really kick ass plot and eight pages of sex. I generally stop reading after the plot bits and lament how there was a really good story there that just didn't get proper attention. Sex is all well and good, but I read for the plot.

The plots come to my head first, though I've had a few fluffy bits pop into my head. I love plot, though I often have to put down a story because the characters are saying "But *why* are we doing this? I'm not taking another step till you give me a good reason!"

I usually get bored with plot and skip ahead to the sex. Plot (like anything else) is easy to do badly.

Granted, those are the stories I've saved. There have been dozens more where "Oh, an excuse for sex? And prosaic sex at that? Next story."

I'll start with something PWP, and wind up with a novel's worth of plot to justify it in my head, become more interested in the plot

This is sort of me, I'll start with a plot bunny or a scene, then try to figure out how to get to that scene, and suddenly there are ten different plot threads weaving around the characters. The plot bunny that started my latest stalled project, and specifically a scene, hasn't even appeared yet in the story. And the point that I've decided to take an official break (halfway into the entire story), still won't have struck on it. And when I pick up the second half of this monstrosity, the plot bunny won't rear it's head until maybe three quarters into that! And I know that it could be longer if I was any good at writing introspection.

(One of the things that I love about not getting too naval-gazey is that I get comments where the reader seems to draw their own conclusion that is either spot on with what I had intended behind the scene, or points out shit that I wasn't consciously aware of or intending, but makes me look super smart).

I am incapable of short one-shots.

I have a beat in the story where I kill off a whole group of people, and now am stuck with having to repopulate certain roles in order to try and adhere to reality, and I'm running out of canon characters or how filling the gaps in the ranks would happen IRL.

I've stumbled upon fics where I've skimmed down and down, nope only halfway undressed, page down page down, finally in the bedroom, page down five times, onto part 2! A sex scene should not be 10,000 words.

Sometimes I wish there was a Porn Blocking 101 class, because too many times people wind up in positions that have no basis in reality.

Sweet Christ, this.

Too many "Wait, when did their pants come off enough to do that?" and "exactly how are you getting your face down there when the object of attention was last noted as being all the way over there? Was there lifting of legs? You forgot to mention. Or you think a head can crane that far on one's neck lying flat on a bed and not get impeded by other various body parts."

My two big beefs seem to be cowboy style with the pants still on (how stretchy are those blue jeans?) and rimming when last I knew, the character was lying flat on his back with his legs stretched out on the bed. Is it like Spike's sneaky dick, snaking all the way down pants that are still firmly up?

Drives me nuts, and you are not wrong.

I have a feeling we are talking about the same fandom, Plei.

Sometimes I wish there was a Porn Blocking 101 class, because too many times people wind up in positions that have no basis in reality.

YES. Even just a reminder to indicate radical changes in blocking would be good. If one partner is licking at the other's inner thighs, having neck-nuzzling happening in the next sentence is going to throw me for a bit of a loop.

Sometimes I wish there was a Porn Blocking 101 class, because too many times people wind up in positions that have no basis in reality.

When reading, nothing takes me out of the moment faster than the thought, "Not even porn stars bend like that." Which of course, means that writing good smut is about as sexy for me as a writer as I imagine sex scenes are for actors. It's all "Ok, that finger goes there, the elbow can't do that, gonna have to change positions to get there from here, blah blah way too analytical blah." For actors I expect there is a certain amount of "Ouch, you're on my hair!" and "Could you please not put your knee there!"