We'd be dead. Can't get paid if you're dead.

Mal ,'Serenity'


Buffista Movies 4: Straight to Video  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


§ ita § - Jan 02, 2006 8:37:40 pm PST #9495 of 10002
Well not canonically, no, but this is transformative fiction.

I just had Meet The Feebles recommended to me. So surreal to see that discussed enthusiastically by people who aren't invisible.


bon bon - Jan 02, 2006 8:57:14 pm PST #9496 of 10002
It's five thousand for kissing, ten thousand for snuggling... End of list.

On other fronts, I caught Rollergirls on cable tonight, which is a surprisingly affecting documentary tv show about the TX Rollergirls here in Austin.

Oh, that's good. I will def check it out now. There was an article in the NYT last year about the resurgence of roller derby in NYC and I was totally like, "that's the sport for me!" but of course did nothing about it. At least I can enjoy it vicariously.


DavidS - Jan 02, 2006 8:59:23 pm PST #9497 of 10002
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

There was an article in the NYT last year about the resurgence of roller derby in NYC and I was totally like, "that's the sport for me!"

The very first professional sporting event Emmett ever saw was Rollerderby. They tried to revive it locally (where the Bay City Bombers had been huge in the 60s) and had an event at Kezar Stadium about two blocks from my house. We saw it when Emmett was 3 and then when he was 4. He keeps asking when it will come back.


P.M. Marc - Jan 02, 2006 9:01:42 pm PST #9498 of 10002
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

There's a great picture of Clara Bow on Dorothy Arzner's lap that I want as a poster, drat it. It just captures all her charm.

In fact, it's so damned great *because* it feels realistic. It has humor and pain and feels very much like what going to high school in the early '80s felt like.

That's why I couldn't watch it past the first disc.

In fact, I realized while trying to watch and enjoy F&G that I require more magic than realism in my TV viewing. I could appreciate F&G intellectually, but my gut reaction to it was nausea. It made me feel like a peeping Tom in the bad way while at the same time flashing me back to all the worst parts of middle school and high school.


DavidS - Jan 02, 2006 9:04:21 pm PST #9499 of 10002
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

FWIW, Ple, the excruciating recognition factor became more muted and fun became more prominent in F&G as it went on. It never lost its perfect pitch, but the characters begin to move beyond their situations in surprising and interesting ways.


P.M. Marc - Jan 02, 2006 9:18:48 pm PST #9500 of 10002
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

Eh, life is short, and it was so firmly in Not My Beautiful Cake land that I'm not sure I'll ever have the nerve to try beyond that, and what I said about needing more magic in my realism is totally true, and kind of a refreshing epiphany that will totally help me choose what I want to watch in movies and TV.

Basically, I need something where the emotional truth is wrapped in a fairly stylised package, and it will sing for me.

The more I think about it, the more I can apply this to damn near all my preferences in life, from what I watch to what sort of church service I enjoy attending.

I am nothing if not predictable.


DavidS - Jan 02, 2006 9:29:30 pm PST #9501 of 10002
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Basically, I need something where the emotional truth is wrapped in a fairly stylised package, and it will sing for me.

Oh, I totally get that. Not applying this to you, but I remember much of the debate about BtVS S6 being about the loss of the metaphoric base of the show. Which was a conscious decision on Joss' part, but jarring for a lot of fans. Also it came at cost of much of the humor of the show. With the distancing effect of the metaphor you had more room for humor somehow.


§ ita § - Jan 02, 2006 9:32:29 pm PST #9502 of 10002
Well not canonically, no, but this is transformative fiction.

Also it came at cost of much of the humor of the show.

Dude, just like The OC.


DavidS - Jan 02, 2006 9:47:55 pm PST #9503 of 10002
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Dude, just like The OC.

So, Ryan is S6 Spike and Seth is Buffy?


§ ita § - Jan 02, 2006 9:48:39 pm PST #9504 of 10002
Well not canonically, no, but this is transformative fiction.

And Caleb is...Caleb.