That IS weird.
I was trying to come up with some scientific explanation based on how fewer people = greater coincidence, but it's not even washing with me, so I'll skip it.
It's probably as simple as notable people increase their notariety by hanging out with notable people. Isn't that what fuels Page Six?
At any rate, the intersecting stories is one of the things I enjoyed about the first season of Deadwood too.
It'll be more like the Crazy 88s fight in Kill Bill. I think.
Because it's black-and-white, that's exactly how a lot of it comes across. Except unlike in
Kill Bill,
there are also guns. And people getting reamed with bullets.
Steph, don't go see it. I wish I'd been a little better-informed as to the full extent of the violence. I can handle a fair amount of blood and gore, but
Sin City
(like
Kill Bill)
definitely exceeded my limits about a half hour in. Not that it's not a good movie, 'cause I think it probably is, but I watched a lot of it through my fingers, so it's hard for me to tell.
I was just going to say that the violence is so cartoonish, I barely noticed it. But if you are on the sensitive side, stick with Kate.
I liked it in many ways, but nothing about it made me say "Yay!" But aside from one storyline being too long and
Jamie King sucking like a Hoover,
I have no specific complaints.
I do have a few theories...
Are you referring to her performance, or how she got the job in the first place?
Bwah! That would explain a lot.
Bob also advised me against seeing it because of my aversion to gore, Steph. So I'm skipping it, Clive Owen be damned.
Props for the Hedberg tagline, bon.
I watched "You'll Never Get Rich." I didn't love it. I mean, I loved the dancing, and I loved Rita Hayworth, but I hated the fact that Fred Astaire's character was all over the place. Sometimes he was in control, smart, and logical, but more often he was a lying idiot, who was a tiny bit creepy. And I didn't care so much for that. It made it difficult to like him, and I love Fred Astaire.
Props for the Hedberg tagline, bon.
He had the best jokes of anyone working. Truly a tragic loss.