Good one, Erin!
'Out Of Gas'
The Great Write Way, Chapter Two: Twice upon a time...
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
Erin, it's lovely and langurous and full of delicious sensuous details. I really like it a lot.
A couple of things:
Either "I sank my white body" or "I have sunk my white body". Your choice.
"down/Aand through that  (deep or secret scans better) valley of my breasts."
I'd quibble over the scansion of "tentative," but it makes such a lovely mind-picture my impulse is to leave it.
Lovely work.
One part longing for love.
>The other, remembering...
I have forgotten to bring my heart.
Oh, yes. Yes indeed.
Fuck, I just lost a long post. Goddammit.
EDIT: Oh, it's letting me post again.
Here, again with some changes: ___________________________________
I have sunk my white body 
into oil-filmed waters.
I have risen, steam coiling, skin silken; 
Trailed veils of scent across my neck; down 
And through that secret valley of my breasts.
My violoncello hips sigh in the embrace of earth-deep velvet, 
scent-proud breasts fight the delicate grip of silk.
 
Silver vines sparkletwine the pillars of my thighs: 
my hair is a burnished gleam, 
my eyes a Mediterranean dare. 
Who speaks of my lips? 
They speak of themselves. 
I pause, one foot faltering on the threshold -- 
One half of me inside, the other
Out. 
One part longing for love. 
The other, remembering...
I have forgotten to bring my heart. 
 
Deb, I'm glad you like the last stanza. It was the first one to come to me.
Bev, thanks for the so-useful tips! They make it better.
Gorgeous, Erin.
Beautiful. Absolutely beautiful. That's how I feel from reading that.
Thanks, Erin!
I love the alliteration of "one foot faltering".
The whole thing is lovely.
Teppy? New topic?
My agent left my agency, and now I have a new agent. I'm freaking out a little (lot) about it. Mostly because I loved my agent not just as an agent but as a whole, loveable person.
Lost, now. The plan is to keep trudging through the manuscript, beefing things up, and such.
I think it'll be okay to talk to the editor as soon as the contract is signed by them, get a little more of a sense of what their ideas are.
Still, a bit lost.
Allyson, having just changed agents myself about two weeks ago, I can empathise. It's scary.
Did she leave to go to another agency? Was there a choice to stay with her or stick with the current agency?
