Susan, it isn't witing backward; you just need a specific thing from the work you give out for beta reading, and it looks to be different from what I need, or maybe Allyson or Teppy needs. And by the by, I don't consider the long, convoluted sentence thing to be a grammar issue; it's a crafting issue to me. As for typos, that doesn't arise in a real life setting; I'm reading aloud, they're listening.

When I first write things, I suspect they come out as if spoken, much of the time, hence the fragments. Now I hate it because I have to clean it up.

I don't consider the long, convoluted sentence thing to be a grammar issue; it's a crafting issue to me.

Yes. This. It's one of my bigger weaknesses as a writer. Many commas, and not a period to be found for inches.

Furthermore, "I have no idea what this sentence means" (which I have been known to write on close friends' betas) is absolutely a craft issue.

I just thought you didn't like my stuff and did what you could to help.

Not at all! I loved your stuff, which is why all I did to the piece you sent me was suggest rewordings, because I thought it was already wonderful and all I could do was offer ways to polish and tighten it a bit to make it sing even more.

It's one of my bigger weaknesses as a writer. Many commas, and not a period to be found for inches.

If so, you're in very good company. I get just as twitchy with hyper-short sentences as I do with the convoluted ones.

Also, personal peeve: the "cut every possible thing out, it's all fat anyway" school. Dudes, get over it, you are not Sir Thomas Malory and you aren't writing "Le Morte d'Arthur", and three-word sentences that dangle like limp genitalia make me want to forcefeed your frontal lobes with words. Half the time, the writer is cutting muscle and bone.

Yeah. I have a few of those...hopefully I fixed them.ETA: What does this mean? type sentences. As I write crime, maybe I want my sentences to be too short, too.

Heh. I just don't get how and when and where and why the idea that taking a complete thought of fifteen words, and deciding that it reads better as four tiny incomplete sentences, became so desirable.

Truth to tell, I go red-pen manic over those, unless they're rare, and in dialogue.

This is why every writer has, at one time or another, been tempted to buy a rubber stamp that reads "Stet".

They think they're being staccato, Tarentino, and edgy, Deb.