I hope Lemony Snicket wins for Best Costume & Art Direction, because those were some of the only good things about the dratted film, and I'd like to see that rewarded.
This is where I am on the movies. They really outdid themselves on the pretty.
Joyce ,'Never Leave Me'
A place to talk about movies--Old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
I hope Lemony Snicket wins for Best Costume & Art Direction, because those were some of the only good things about the dratted film, and I'd like to see that rewarded.
This is where I am on the movies. They really outdid themselves on the pretty.
I'd envy you the blissful ignorance Betsy, but it was worth having to hear the song to get the full impact of ita's hodgeberries joke a while back.
Is this in COMM somewhere?
I don't know, but if not I think it's in one of the Firefly threads.
I saw A Very Long Engagement tonight. It's not so magic that it makes me want to quit my job in favor of watching the movie full-time the way Amélie was, but it's a very well-made and enjoyable film that I'd recommend seeing. And there was a fun surprise in running across a familiar face that I had difficulty placing at first, surrounded as it was by Jeunet's usual stable of French character actors.
Thanks, P-C!
I still haven't seem Amelie. I keep meaning to. Hmm.
There ya go. But you didn't include tommyrot's hilarious follow-up in the COMM quote!
If anyone knows where to find a copy of the international Batman Begins poster that's larger than 600*887, I'd be very grateful.
And going for the threepeat:
From IMDB:
[NOTE - SPOILER ALERT: Ordinarily we do not offer "spoiler" warnings when discussing the content of movies unless they also appear in the news reports that we compress for this digest. The following item, however, covers the controversy over the actions by some commentators and columnists to undermine Clint Eastwood's Million Dollar Baby by disclosing a key plot element. Readers who have not seen the movie and who do not want to be informed about the issue it raises until they have seen it may wish to skip this item.]
Rush Limbaugh has become the latest commentator to blast Clint Eastwood's Million Dollar Baby, calling it a "million dollar euthanasia movie." On Tuesday, he facetiously apologized for letting "the cat out of the bag when I mentioned to you that the real subject of the movie is, when this heroine becomes paralyzed, she wants to die and they say, 'Okay, you'd be better off dead,' and they pretty much zap her. I apparently spoke out of school, as a movie critic and reviewer, uh, ladies and gentlemen. I just feel terrible about this." Critic Michael Medved told USA Today that he had revealed the plot twist because "there are competing moral demands that come into the job of a movie critic. We have a moral and fairness obligation to not spoil movies. On the other hand, our primary moral obligation is to tell the truth." Medved, who says he "hated this movie," also remarked that "They didn't want to tell people what it is [about] because no one would come." On Tuesday, an orgaization of paraplegics also joined the critics of the movie.
I didn't actually read the whited out portion. I'll just see the damned movie and cry like a wreck sometime this weekend.