But it is a wonderful parable of Arnold's barely repressed homosexuality. He stays away from JLC so he can hang out with his overcompensating buddy Tom Arnold and his quirky vaguely foreign coworker. He becomes obsessed with big moustache Paxton after Paxton speaks of boy's asses.

Sure, it's no Commando, but even Tia Carrerre only gets his attention because he loves to dance.

Oh, man, that movie is only appreciated by me in any way because I thought Tom Arnold was great.

Other than that, sheer hatred, and I'll never watch it again.

The only time I've seen True Lies was when it was dubbed into Spanish, and oddly, I kind of liked it. That might be because my Spanish is pretty poor so I didn't understand most of the dialogue and I also didn't have to listen to the Arnolds (Schwarzenegger and Tom) voices.

I loved True Lies for the reasons P-C mentioned. I don't remember feeling it was sexist, but I'll have to keep an eye out for that the next time I run into it.

Oh, man, that movie is only appreciated by me in any way because I thought Tom Arnold was great.

ita is me on this.

But aside from Tom Arnold, what Plei, 'Suela and GInger said.

I laughed from moment one to moment last of TA:WP. The songs are the best thing in the whole wide world.

The songs are the best thing in the whole wide world.

I loved the songs a lot. But I think I lauged loudest when two of the TA:WP were trapped in the room with the panthers - that turned out to be two black housecats. But then there were parts of that where I was the only one laughing, so maybe it's just me....

That, too, was awesome. Personally, I laughed the hardest any time they were making fun of a Broadway musical.

I thought she should have damned well killed Arnold instead of just hitting him with a telephone. That was unforgivable, what he did to her.

I laughed hardest at the wild arm-waving secret distress signal. It just tickled the hell outta me.