Allyson, ok if I just call you #4 now?
Um, no. You can call me: #4: Teh Cutest.
Tim, if this one gets cancelled you need to talk to HBO or FX.
NO "C" WORD.
'Trash'
[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls and The Inside), this is where Buffistas come to anoint themselves in the bloodbath.
Allyson, ok if I just call you #4 now?
Um, no. You can call me: #4: Teh Cutest.
Tim, if this one gets cancelled you need to talk to HBO or FX.
NO "C" WORD.
I think when the killer snagged her is when the landlord thought she left. Though I do have to wonder how long it took between the killer taking her and the landlord noticing she'd disappeared and deciding she'd ditched.
The broken plant still looked pretty green when Rebecca was messing with it. I'd say the last victim couldn't have been gone long after dropping it.
Does Web shooting first make him a bad man, or does it make for a bad show? I see the former and completely miss the latter. I don't expect him to be singing Redemption Song next ep.
No one's asking me to leave my kids with him, like him, or even sympathise with him.
oh, just a bad man. a bad man on a good show.
I see the former and completely miss the latter.
It strains credibility a bit that a murderer would have his position.
I don't expect him to be singing Redemption Song next ep.
if he does, I'm not watching anymore.
It strains credibility a bit that a murderer would have his position.
Only three people know how that actually went down, and none will tell. Especially since one of them's dead.
Can't help you there, David. I'm with Consuela -- impossible, well, not IMPOSSIBLE, but unrealistic? Probably. But cool? For me, yep. I want the big, epic, pulpy story turns. And occasionally the big, cheesy, slightly over ripe line. For me that's what this show is for.
This I get. And I think I would've gotten it without creator explanation after a few episodes. I completely respect that every show (or movie or book) represents its own world, and doesn't necessarily have to conform to reality as I know it.
You throw some vampires into the mix, or set it in the future and you immediately create a little wiggle room for expressionist touches, or playing your metaphors out with a little more juicy opera. You set it in the real world, and it takes more time to establish the milieu. The only thing that matters is that it's internally consistent.
That's one thing we talked a lot about with late seasons of Buffy, actually. That the show lost something as it moved away from its broader metaphorical grounding and tried to play out the character's stories in more realistic terms. There was some dissonance with that.
Consuela, didn't the Raiders just get off again after a second trial?
really? on a TV show? especially a dark one?
I can believe it. Hell I think big bossmen and elected officials have bodies buried in their lawns about half the time in reallife.