I was going to repost your eval of the unaired three a bit upthread, DX, and just nod. You pegged my opinions pretty well. I do agree on HoG as the worst of the whole series, for the reasons you listed. I liked Trash, primarily for the dialogue, and I loved The Message for the Jayne character expansion and the casting spoiler love.

My problem with the "Objects in Space" is the last episode concept is that in "The Message" Jayne refers to River as a "mind-reading genius", something he wouldn't have done before the conversation in OiS. Also, in "Trash" Simon takes River's inutuition as fact, even going so far as to confront Jayne based on it. Also, River's "threat" to Jayne isn't very convincing if her abilities haven't already been discussed by the crew.

I assumed that Simon spoke to River more in depth after the scene where she said what she said, and before the injury later in the ep.

Plus? River's been a threat since she stabbed jayne in "Aiel"

As for the whitefonting... I assumed the most reasonable assumption that they somehow overrode the codes and broke in. Leaving it ungaurded? not so smart. However, they seemed to be counting on the ambush, somewhat. Sort of playing into the hands. I'll have to re-watch.

That having been said, I enjoyed the eps, and I look forward to the discussion next week and what are we going to do about that in the main firefly thread?

Like The Message, due to You-Know-Who-Not-Voldemort, was okay on Trash, loathed Heart of Gold. HOG was the one that was a clue that I might have had a screaming argument with the show, the way I had with Angel in S3, and never regain my initial enjoyment of it. It made me doubtful of the good intentions of the creators, which is a feeling I hate to have.

Glad to see I wasn't alone in my opinion of the HoG storyline (I've only read, not watched).

Nope, not alone. It sucked in many and sundry ways.

I think HoG was the first ever script by Joss' former asst., Brett. I sort of expect it to be a bit on the green side, which I suspect will help in my viewing of it. Does it help the perception at all by saying, "ah, new guy fresh from the stork's beak"?

Allyson, just emailed you...

HOG is easily my least favorite of all the episodes (including the aired ones.) I thought maybe it was because I read the script before I watched it, but I don't think that's the case.

Trash was "eh" (I've never been a Saffron fan), and The Message was the best of the three unaired, but it felt like it could have been so much better.

Does it help the perception at all by saying, "ah, new guy fresh from the stork's beak"?

I knew he was a new writer (at least to ME), and I'm sure that accounts for some of it. But not all, because I'm sure that Joss and Tim were overseeing. The poor (IMO) characterizations could be certainly be rookie mistakes. He seemed to be going out of his way to make Wash seem completely inept. About the only person he seemed to get right was Jayne. The basic plot is the same that been used in a bunch of westerns, which is fine because ME usually takes a cliche and twists it somehow, but it didn't happen this time. Plus, the dialogue wasn't a snappy as the other eps.

I think the Joss and Tim part of the problem is the whole concept of Companions, which still makes no sense to me, and the character of Inara. I cannot figure for the life of me why she is on that ship. It makes zero logical sense. She and Mal even talk about it in "Trash". For all the talk about Companions being so highly respected, they haven't exactly shown us that in the series. Even the folks who give lip service respect to the Companions still treat them like pieces of meat. The only time there appeared to be genuine respect for a Companion that I can remember was in "The Train Job". The concept also gives them lots of opportunities to stick hideously misogynistic bastards into their stories, which get tiring after awhile.