they read as mythical and pain-filled and somehow very true in the same way that The Hobbit did for me.
In many ways, more so. What the protagonists do, in pride or ignorance, is far beyond any error Bilbo would ever make.
A topic for the discussion of Farscape, Smallville, and Due South. Beware possible invasions of Stargate, Highlander, or pretty much anything else that captures our fancy. Expect Adult Content and discussion of the Big Gay Sex.
they read as mythical and pain-filled and somehow very true in the same way that The Hobbit did for me.
In many ways, more so. What the protagonists do, in pride or ignorance, is far beyond any error Bilbo would ever make.
I'd be hard pressed to suggest something more worthy of reading.
That's a rec I will take, then. I'm surprised I'd never heard of it, actually. (Edited to remove babbling. Sometimes I use too many words.)
Well, you've heard of LeGuin, I assume, yeah?
IIRC, one or more of the Earthsea novels won the Newberry award back in the early 70s.
Point taken. But they're still wrong as a wrong thing. Wrong, wrong, wrong.
My god, these girls have barrettes! t flails in disgust
I don't care what you dress Kristin Kreuk in -- she's going to ... god, she sounded awful.
I never really loved Earthsea, so I don't have the kind of gut-level picture of it that I do of Tolkien, but I remember the Tombs of Atuan and man, I never pictured it as even vaguely faux-medieval. More... I dunno. Greek, if anything.
I do remember envisioning it as bare -- robes, not dresses, you know?
Yup. Barefoot, desert, black robes, spare, ascetic. Withered trees and dust, and little oil lamps and wrinkled apples. Gruel and bread with grit in it.
Not veils and prissy dresses and candalabras. Bleah.
The funny part is, the source texts are basically a "How to Confound Hollywood" manual, you know? Hero is black, as are almost all the supporting characters. (The only white people are barbarian invaders, and one guy in the third novel.) Major actions -- Ged becoming a dragonlord, e.g. -- happen between one novel and the next, and are never flashed back to. The climax of the first book is the hero's surrender. Ged goes on a quest and meets a pretty girl, and takes her home with him, and she ends up... becoming an obscure farm-wife to somebody not named Ged.
I'm secure in the knowledge that even the faithfullest filmmaker would have huge difficulty making a good film out of the novels, so knowing that unfaithful filmmakers are making a bad film out of it -- I don't feel the need to care.