I liked BG, too. Really dug the thump thump thump thump-thump-thump background beat in place of soaring orchestrals in some places. Thought the glowy spine was hilarious for the imagined conversations it inspired in my brain ... the scene with
the baby was really quite ... yech. Yeah, evil bad. Got it, thanks.
Enjoyed it. Will watch more.
About halfway through the first part right now. I'm very fascinated by the way they've incorporated a number of events that were part of the series (the Cylon war, Zach's death), but it's all different, too.
Also, like DX, I'm very much liking the science and tech. THere's also a significant element of realism--so far most of the shots that occur in outer space have had no or very little sound, which is a choice I've waited many long years for more filmmakers to make.
My only comment so far is that it's evident that the slick super genius doesn't go in for doggy style.
Hee!
The first battle just happened. I like how the Vipers have reaction control thrusters. That's very cool.
And the little sound for the space shots continues to be very cool It's not completely silent, but they clearly tried to keep it as quiet as they thought they could get away with, and the sound levels jump noticably when we switch to an in-cockpit shot.
Okay, BG part one is over. I have to say that I'm really liking what I've seen. Nicely layered story, characters with subtle conflicts, very cool tech and science, all handled fairly well.
And topped off with very good acting and directing choices. The scene where
the tech chief complained to Commander Adama that the XO didn't give him forty seconds to save his men really struck me. Any other director would have let his actors yell melodramatically at each other. Here they whispered.
Great choice!
My only comment so far is that it's evident that the slick super genius doesn't go in for doggy style.
This was among my thoughts as well ... that, and it's a fun new twist in the how to test whether someone's an alien convention.
And the little sound for the space shots continues to be very cool It's not completely silent, but they clearly tried to keep it as quiet as they thought they could get away with, and the sound levels jump noticably when we switch to an in-cockpit shot.
Yeah, it seemed to me that the in-space shots started out completely silent and then, as you say, you hear subtle bits. It's as if they're saying, "OK, just so you know, we know it's supposed to be noiseless ... but you won't mind just this little bit for effect, right?" Kind of an inventive way to deal with it.
They also used some of the innovative shots we saw on Firefly last year. Same SFX production company.
I missed the Serenity flyby.
I missed the Serenity flyby.
I recognized the window she was going to fly through (from the picture you posted) when it came onscreen, and sure enough, within just a few moments, she came flying through.