Cordelia: You're him. You're Angel's son. Connor: It's not like I got to choose.

'Hell Bound'


Buffy 4: Grr. Arrgh.  

This is where we talk about Buffy the Vampire Slayer! No spoilers though?if you post one by accident, an admin will delete it. This thread is NO LONGER NAFDA. Please don't discuss current Angel events here.


ted r - May 14, 2003 6:09:35 pm PDT #241 of 10001
"You got twelve, and they got twelve. The old ladies are just as good as you are." -Dr. Einstein

And Ted, learning what we did about Xander in the above referenced scene does us very little good if we are supposed to get information about Buffy and Riley. Can you use the above referenced scene to explain why Buffy ran after Riley? I can’t. I am still baffled by it.

Not me. After that speech I wanted to run after Riley.


Betsy HP - May 14, 2003 6:11:21 pm PDT #242 of 10001
If I only had a brain...

I expect to go to one and be highly irked because it won't live up to my expectations.

They have an airline now.

I think Andrew said the produce was funky.


§ ita § - May 14, 2003 6:12:23 pm PDT #243 of 10001
Well not canonically, no, but this is transformative fiction.

After that speech I wanted to run after Riley.

Me too. With a rocket launcher.

And then come back and slap Xander for being so preachy and awkward.


Susan W. - May 14, 2003 6:13:43 pm PDT #244 of 10001
Good Trouble and Righteous Fights

Another minor nitpicky rant:

I'm a big believer in SDT, but I don't think I'm as absolutist as many here. Because I don't have a problem with a character saying, for example, "I love you," and having them be utterly sincere and honest. I really don't. That's not a violation of SDT unless it comes out of the blue.


Allyson - May 14, 2003 6:14:04 pm PDT #245 of 10001
Wait, is this real-world child support, where the money goes to buy food for the kids, or MRA fantasyland child support where the women just buy Ferraris and cocaine? -Jessica

wrod to ita.


§ ita § - May 14, 2003 6:15:24 pm PDT #246 of 10001
Well not canonically, no, but this is transformative fiction.

It's always nice when the character talking is telling another character. Less nice when they're telling the audience. Again.


P.M. Marc - May 14, 2003 6:15:41 pm PDT #247 of 10001
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

Total wrod to ita.

A REALLY BIG rocket launcher.


Sean K - May 14, 2003 6:26:38 pm PDT #248 of 10001
You can't leave me to my own devices; my devices are Nap and Eat. -Zenkitty

Except that this right here is one of the basic principles of "show, don't tell," balzacq!

Except that that scene didn't tell us anything OR show us anything. It just wasted time on a visual joke stretched out too long.

You missed my point, balzacq. What I meant was, the speechifying you spoke of was *telling*. *That's* why you thought it went on too long.

I meant that it was an example of BADNESS. Telling and not showing.

Ted - you can believe whatever you want to believe, but you have not actually been *shown* Spike's redemption. It has been told to you, whether you believe it or not, whether I like it or not.

You are being seriously obstinant on this point, and I don't know why.

At this point, the only way I can conceive of to prove to you that you have been told and not shown is to present you with a season in which Spike's redemption *is* actually shown, rather than told.

Since that's not going to happen, *again* I say you are right that we will never agree on this.

But I submit to you that simply because we cannot agree, that does not mean that it is purely subjective. But you won't concede that point either.


Aims - May 14, 2003 6:33:27 pm PDT #249 of 10001
Shit's all sorts of different now.

SEAN!! Station tonight?


balzacq - May 14, 2003 6:36:37 pm PDT #250 of 10001
Evil Hand Issues

You missed my point, balzacq. What I meant was, the speechifying you spoke of was *telling*. *That's* why you thought it went on too long.

I meant that it was an example of BADNESS. Telling and not showing.

No, you've missed my point... :-) You seem to be equating Bad => Telling in all cases.

If that scene had been Andrew chasing a squirrel and falling down on the lawn for five minutes instead of fifteen seconds it would have been equally bad, with no Telling whatsoever -- in fact, it would have been showing us that Andrew is a klutz. That's nice, now move on already.

The fact that Anya happened to be speaking at the time made no difference at all. In fact, the spoken content of the scene was completely irrelevant to the plot -- again, it didn't show us or tell us anything.