Well, that part's true, you know.
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It was the Rector, Canal, Wall trajectory that threw me.
A much smaller audience of complaint, but I've watched Breaking Away in Bloomington, IN and people laugh out loud at some of the geography.
Ditto watching The Graduate with a Bay Area audience when Benjamin drives on the top of the Bay Bridge on his way to Berkeley. (Going east you're on the bottom span of the two tier bridge.)
It can definitely throw you out.
I saw an episode of Supernatural that was supposedly in Saginaw (my mom's home town). Saginaw is lower peninsula urban, and I think they conceived of it as upper peninsula, Marquette suburbs. The area shown was decidedly not eastern MI. If you go out of Saginaw into the countryside you get beet farms, not temperate rain forests. And Saginaw is 46% African American. The extras on that episode, nsm.
Now I'm wondering if there were black extras in "Crossroad Blues."
There was a movie set in Nashville (might've been "Nashville"), filmed in Nashville, that made us all laugh at the fantasy geography. Why do filmmakers do that? What's the point of filming on location if everyone who recognizes the location knows it's the city as drawn by Escher? Might as well film everything in California. Anyone else remember the beautiful mountains of Florida in "Drive" (tv show)? Oh, or "Point Pleasant", set in New Jersey, where the sun was setting over the ocean! Yanks you right out of the story.
Years ago there was a movie set in Washington in which the hero runs down to the D.C. subway ... and ends up in a Baltimore station.
Was that No Way Out? That was the one where one scene was set in the non-existent Georgetown Metro station.
That would explain why there was no way out...
He took the midnight train going anywhere.