I'd love to have seen that interview. His enthusiasm and humor were for me the most compelling things about him.
And I misquoted, above. The correct line is, "Oh god. There's nothing more inconvenient than an old queen with a head cold. A-CHOO!"
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I'd love to have seen that interview. His enthusiasm and humor were for me the most compelling things about him.
And I misquoted, above. The correct line is, "Oh god. There's nothing more inconvenient than an old queen with a head cold. A-CHOO!"
Not sure if this is the right place for it, but the Smart Bitches have a review of the Will Ferrell Eurovision movie. It has embedded clips and such. The reviewer had some things she liked, some she didn't and is specific.
I really enjoyed The Old Guard, even though I found a lot of the tropes pretty predictable. I knew Booker was going to betray them; that Quyen (sp?) was going to come back as a villain; that Copley was going to second-guess his loyalties.
I would like to know when Nile had time to redo her hair between getting picked up by Andy and when they went to London...
I assumed that was indicative of time passing (so Andy could heal up and etc), and was glad to see it because I was wondering about her hair! Like, how long would it have stayed in those braids -- the regular amount of time or no?
I wished I had seen it in the theater.
I really enjoyed The Old Guard, even though I found a lot of the tropes pretty predictable
Same. I am enough of a "Charlize Theron saves the world even though she is so. fucking. tired." genre fan to be pretty forgiving of tropeyness.
She even drives through the desert!! Sorry, thought that might be a spoiler...
I loved the Eurovision movie in that it was exactly what I wanted to watch at the time I watched it. And I've been listening to the songs on repeat.
Palm Springs is up to the hype. And I am no Samberg fan, he's more subtle than a lot I have seen him in and the female lead (the mother from HIMYM) is lovely.
Yeah, I really enjoyed it. I love a film where the male and female leads fall in love by spending time together and actually doing stuff, rather than locking eyes across the room.
Instead of watching stuff on Criterion Channel (I guess I'll catch up on Godard or Aguirre, The Wrath of God at some other time, haha), I have been watching ALL the Studio Ghibli flicks on HBO Max for the last few weeks, subs first obviously but also some selected dubs for fun comparison. Miyazaki is good for calming the brain worms in these uncertain times, I find.
Favourite Miyazaki unknown to me previously: Porco Rosso
Most joyous marriage of the music and the visual: Ponyo riding the waves to Joe Hisaich's take on the Ride of the Valkyrie
The one 14-year-old Vonnie would have liked the best had she seen it at that impressionable age: Castle in the Sky
Coolest morally ambiguous antagonist: Lady Eboshi from Princess Mononoke
Best all-around cast of dub performances: Howl's Moving Castle, mostly for Billy Crystal's Calcifer, but with a particular shout-out to Jean fucking Simmons, the screen icon of my heart, for being such rad Old Sophie
I haven't yet gotten around to seeing the 2 recent films that have been highly praised: The Wind Rises and The Tale of Princess Kaguya -- hope to catch them soon. And I'm saving the rewatch of my fave, Spirited Away, until I'm done with the rest of the collection.
Honestly, I'd probably keep paying monthly HBO subscription fee if even Ghibli films were the only ones I watch (and rewatch) on the service. What a treat.