I'll be seeing it next week, and hope to find the performances enjoyable at least, but I hear your complaints with a bit of a shudder in anticipation. Hope the fun outweighs the ick.
Olaf the Troll ,'Showtime'
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A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Everyone publicly online this week seems to think it's a masterpiece. I...disagree.
Interesting, I've seen plenty of "not for me" reactions, first and foremost by my critic friends here, who, sadly were not granted +1s for the screening.
I've seen plenty of "not for me" reactions, first and foremost by my critic friends here
That's a relief! Good to know I'm not alone.
I have no interest in watching anything Tarentino, and nothing fictionally coveting real murders in what seems like a really unnecessary way.
For people looking for alternative titles to catch on multiplex, see if you have "Wild Rose" playing nearby. It's about a Scottish country singer freshly out of jail, desperate to get to Nashville. It's a scrappy heartwarmer, with a star turn by its lead, Jessie Buckley, who's got an amazing soulful voice. It manages to be feel-good while maintaining spiky edges.
I have no interest in watching anything Tarentino
Thiiiiis. I have come to understand that I just don't like his movies.
Wrod.
ION, I saw Midsommar this week, and DAMN. I loved it. I loved everything about it. I need to see it again. I went to see it with my friend Jen, and our flailing conversations afterward especially centered around "If I had to choose to ritually sacrifice a terrible ex-boyfriend to join a community that was supportive and had a culture of communal sharing of hard emotions, I just might do it."
Which may not be the intended theme of the movie, but whatever.
Atropa, you may like this thoughtful review of Midsommar by Alison Wilmore at Buzzfeed: [link]
I thought it shared a lot of DNA with Robert Egger's The Witch from a few years back. They both posit that for these women, certain ecstatic surrender of self to another form of existence, however out of norm, is preferable to the their current lives riddled with heartbreak and oppression and lovelessness. So what if that new existence involves occasional baby-mashing or ritual sacrifice? You at least belong in that community of like-minded sisters, willing to support you.
I also ran across this Tumblr post about the two films, which had me nodding my head in agreement quite a bit: [link]
Midsommar does share a lot of DNA with The Witch (another movie I love!), and your whitefont is exactly what my friend and I were flailing about.