I saw The Greatest Showman last night. It was fun, and I'll watch Hugh Jackman singing and dancing his heart out as often as he wants to do so. But I suspect The Shape of Water will stick with me a lot longer. It's like comparing cotton candy and lobster rolls—there's not a lot of similarity between them (aside from the fact that they're both movies).

Paddington was a little 3D model and everything else was drawn in 2D, and it was narrated by Michael Hordern. It was lovely. Lots of it on youtube.

I watched some of them and I could see where the inspiration for the scene came from. Simple, but evocative. The movie benefits hugely from excellent casting all around, I think. And Ben Whishaw as Paddington's voice lends him just the right amount of sweet naivete.

This is a little bit of how I feel just having watched Brigsby Bear

Tasha Robinson from The Next Picture Show has been a big champion of this movie. I've been meaning to catch it for a while -- looks like it's streaming on Amazon, yay!

Also, I finally got out to Phantom Thread. I don't really get the Rebecca comparisons.

There are superficial similarities plot-wise, at least. Worldly older man takes on a green young girl of uncertain origin on a whirlwind romance, and whisks her off to his place of residence/business where things don't quite meet the eye, etc. Tonally, it diverges from there - Rebecca is very much in a Gothic mould whereas Phantom Thread is... I don't honestly know how to classify it. Cyrill serves nicely as a Mrs. Danvers analog at least at the beginning, although I find her much more interesting and layered. And Alma has much more of steel in her backbone than the second Mrs. De Winter.

I haven't seen much of PT Anderson -- I had mixed feelings about Magnolia and Boogie Nights, so haven't bothered with much of his recent work. PT has me curious to dive in a bit. Hulu is streaming Punch Drunk Love so I might start with that.

I haven't seen much of PT Anderson -- I had mixed feelings about Magnolia and Boogie Nights, so haven't bothered with much of his recent work. PT has me curious to dive in a bit. Hulu is streaming Punch Drunk Love so I might start with that.

I have now seen everything but Hard Eight. (Well, I think I may have seen Hard Eight but I'm not sure.) The Math Greek had been trying to get me to watch Magnolia forever; however, since I resist all movies over two hours he did not have much luck until now. But I caved and we actually watched it as a double bill with Phantom Thread. I liked it a lot more than I thought I would. His favorite PTA is Punch Drunk Love, which I remember liking a lot but I'm such a sucker for westerns that I'd have to see it again before I could rank it above There Will Be Blood.

I remember being a little confounded by Magnolia, although it wasn't unwatchable, but Boogie Nights is my favorite of his (I say that not having seen The Master or Punch Drunk Love or There Will Be Blood -- yet).

I have only seen Punch Drunk Love and There Will Be Blood. I liked them both well enough, but am not really tempted to see the rest of his work.

Saw I, Tonya tonight. It was fine.

As for Anderson, I liked Boogie Nights, but loathed Magnolia and did not enjoy Punch Drunk Love. I would never seek out his work, but might eventually watch the others.

I think Boogie Nights is the only one of his movies I've seen. I'll probably add Phantom Thread as #2.

I definitely want to see Phantom Thread, and of the others Punch Drunk Love and There Will Be Blood. You know, someday.

I love Boogie Nights and Punch Drunk and like the rest of his films.

I saw Boogie Nights and found myself basically indifferent to it at the end. Pretty much a sense of, "That was a thing I saw. OK." I didn't want to see Magnolia or Punch Drunk Love, and nothing I heard about them changed my mind. They seemed to have a lot of awful people being awful, and nothing much to make up for it, and I can watch the news as part of my cable package if I want that.