Yes to Bull Durham--it's an exception. And the glory of Kevin Kline and Linda Hunt outshines the vestigal presence of Costner so, like Askye, it makes the cut for movies I love.

I know Tombstone is everybody's Earp benchmark, mine too, and well-earned. But Wyatt Earp had merit, especially for Quaid's Doc. It would have been a good movie if they had cut forty minutes of Costner closeups.

It's SUPER good. It's basically the first 2 episodes of this season of The Good Place, but with killer aliens. And Tom Cruise as Eleanor Shellstrop. (Actually, that's pretty much EXACTLY what it's like. He really is Eleanor.)

AHAHAHAHAHAHA! I never thought of it that way but this is PERFECT.

Renee Zellweger is high on my dealbreaker list. Can't think of anyone else off the top of my head.

I can't deal with Todd Solondz movies, and I won't watch any Neil Labute movie except for Wicker Man (which is not less grossly misogynistic than his other films, but the presence of Nick Cage screaming about bees and toast makes it absurd and hilarious rather than creepy and offensive.)

Sylvester Stallone is on my nope list. I don't even remember why. I just see his name or face in the trailers and add the movie to my do not watch list.

Stop or My Mom Will Shoot is probably reason enough.

Adam Sandler used to be on mine, but I just watched The Meyerowitz Stories on Netflix and Sandler is really fucking great in it.

Thanks, Vonnie! I started watching this last night and it's fantastic.

That opening scene looking for parking happened to me almost word-for-word on my last NYC trip.

Also, it's always worth noting that Noah Baumbach was at Vassar with JZ. (Greg Rucka too, but we've already discussed that.)

Also, I'm reading up on Blade Runner reviews now and one of them pointed out that the whole interchange that K has when he comes back from his missions to test his emotional baseline is directly lifted from Nabokov's Pale Fire. They also noted that Pale Fire's plot (such as is - it's one of the most famous meta-texts ever) concerns a father's search for his lost daughter.

Aside from everything else I noticed/appreciated all the subtle nods it made to other science fiction movies. I felt it pinged on...Silent Running, A.I., Planet of the Apes, Her. Lots of Kubrickian scenes in those empty hotel spaces. Bits of Moebius (that jacket that covers the lower half of the face) and The Fifth Element too.

There's a lot buried in the naming too. K, of course, alludes to Kafka and his characters that are simply named K.

But also the KD seems to refer back to PKD.

Plus Joi/Joshi/Joe.

The one thing I didn't like was how vacant everything seemed. It's been years since I saw the original, but it seemed like people were crammed everywhere in the scenes on the streets. In this one I only got a sense of there still being a lot of people around in the stairwell of K's building and at the orphanage, everywhere else seemed deserted.

Sylvester Stallone is on my nope list.

And yet Creed was really good, and he was good in it.

I suspect that for every actor we name as a complete turnoff, there's one movie we'd probably admit to enjoying them in. Although I can't identify that movie for Tom Cruise yet.

I'd note, Matt, that this movie strayed much further from Los Angeles than the first one did. It went out into basically the Central Valley for that first scene. The big trash dump was in San Diego. And that last section was in Las Vegas. When they were back in LA proper it was densely populated.