the comments on that were surprisingly non-outrage inducing.
Spike's Bitches 47: Someone Dangerous Could Get In
[NAFDA] Spike-centric discussion. Lusty, lewd (only occasionally crude), risqué (and frisqué), bawdy (Oh, lawdy!), flirty ('cuz we're purty), raunchy talk inside. Caveat lector.
Totally a Chaos Muppet. My favorite three have always been Miss Piggy, Animal, and Swedish Chef. StW is a Faux Chaos Muppet.
In terms of the character or the writer?
The character. You have sympathy for him in his loneliness, but then he goes and alienates you with violence and vengeance, especially the fact that Elizabeth is so innocent of any crime. Elizabeth's death I can "accept", very eye-for-an-eye, but making her suffer in terror before her death bothers me. It takes away more of the civilized-ness of the creature that you were embracing. It increases his brutishness and goes a small ways toward validating Frankenstein's attitude toward him.
I was just going to add something I read in an Entertainment Weekly from a few weeks ago about "Elementary", then I realized that the header "Best/Worst New Title" was actually talking about the title itself, not the show. Thanks, EW, feeling much better about the quality of the show since you like its title, fergoshsakes.
I think I'm a Faux Chaos Muppet. I think I'm okay with that.
I actually know a lot about One Direction because I saw the band formed in real time on X factor. One Direction is entirely the creation of Simon Cowell. All the boys auditioned for the young men category and he put them together in a group.
I'm also believe I'm Faux Chaos Muppet. My last supervisor was a Faux Order Muppet. He impressed all the Order Muppets by having a clean desk, but all his paper was piled randomly in his desk drawers.
My last supervisor was a Faux Order Muppet. He impressed all the Order Muppets by having a clean desk, but all his paper was piled randomly in his desk drawers.
::shudder::
I have to vent a short rant. We are doing a musical. It's the closing weekend. Why is it the students never do a battery count until I am not on campus?? I should mention, we do an exact battery count of what is needed, then I give 8 more (which for a one week run, is a comfy margin of error). So then I either have to be an asshole, or come down to work on my one day off. Either way, a no win solution for me. Also, the grad student calls asking where the aaa batteries are stored because they need some. I ask how many. He responds "I don't know. The crew just said they were running low and need more." so? You were just going to grab a handful? Of course they are running low, there are 2 shows left!!
t /vent
???
Sigh. It's not like the battery count is even remotely approaching calculus or statistics or anything. It's remedial maths! Number of batteries per unit X Number of units X Number of performances = BATTERY COUNT!!!!
On the Frankensteins: The rape bothered me, as it was supposed to, but Miller's version bothered me more; the way Cumberbatch did it, you could almost imagine that it didn't really happen, it was just the Creature's attempt at something he couldn't/didn't understand. The Creature's first murder, the family, was terrible and made it clear to me that he was never going to be Good; he wasn't trying to be Good, he was trying to be a man. Poor Elizabeth, she was the only one who tried to understand him and wanted to help him, but it was too late.
Katie and I talked about the differences between the performances. The Creature and Frankenstein was very different people, due to the way they were portrayed, even though the dialog and the script were the same. That was really interesting to see. And the differences between the two Creatures. Cumberbatch studied people who'd been injured, and Miller studied his toddler. So C's Creature seemed to be relearning how to control his body, and Miller's Creature was learning his body for the first time. It was fascinating. That opening sequence with Cumberbatch gave me chills. I was almost in tears.