Happy Birthday Askye.
Yeah the thing about South Pacific is that at the same time it is racist, it also was (at the time) a powerful anti-racist statement. In a way it quintessentially captures the paradox of America on race - racist and anti-racist at the same time. And if it is not much of a paradox because the racism is really fucking strong, well that is quintessentially American too.
Cool photo of an Airbus A380 crossing a highway: [link]
Well, there is also the whole, "I can love him and his kids even though his kids are bi-racial" plot as well.
Okay fine, racism is also bad because sometimes two unbelievably privileged white people might break up and feel sad for a few weeks.
In a way it quintessentially captures the paradox of America on race - racist and anti-racist at the same time.
As does the "What's My Line?" example.
The thing is, however progressive South Pacific may have been for its time, it's still, to me, unwatchable in 2010. The racism is only a part of it - there's also the fact that the tragic love story between Joe and Liat begins with him raping her (with her mother's permission, of course).
I honestly can't think of a single scene that didn't have me cringing in my seat.
Okay fine, racism is also bad because sometimes two unbelievably privileged white people might break up and feel sad for a few weeks.
There
is
a little bit more to her relationship with the children than that.
I love the gentleman's swan hat
now all he needs is to escort Bjork in he swan dress ...
Yeah, no feminist paradox there. Its view of woman was one Mae West would have laughed at. Would have, hell. Did. Publicly. In key lines in her films.
Today is feh. And I don't know what to get for lunch. What I really want is a big bowl of mashed potatoes. And a nap.