I agree with Liese about that episode.

It's a good question. I mean, if there are candidates coming in to avoid presumable prison time, surely there's someone out there going, 'huh, wonder what happened to that person I was about to definitively incarcerate?'

So either Adele's negotiated with some authority in advance and the contract and the time with the candidate is just a farce, or maybe she doesn't care how they come to her? Or...?

I think sometimes people dream what they are afraid is true. And Paul's dream was more of a nightmare than wish fulfillment. So maybe we're not supposed to think that he does feel that way. But it's a roundabout way to show it if so.

But definitely agree that if taken literally, Ballard's definitely saviour complex as well (thank you for using that spelling; firefox red line bullied me out of it). Which, I suppose sometimes I'm afraid Joss is the one with the saviour complex, which is why it comes out in the character writing like this.

we don't know why Ballard is on the path of trying to find the Dollhouse, do we?

He's trying to find his high school sweetheart, who left him at the altar because he was too creepy and obsessive? (He's been obsessing creepily about her ever since.)

if there are candidates coming in to avoid presumable prison time,

I assume that Caroline (and, now, Sam) are in the Dollhouse not to avoid prison time, but because Rossum knows that *they* know the dirty secrets about the experiments with fetuses, etc.

I don't think that Caroline (and Sam) would have made it to prison, or, if they had, that they would have lived very long inside. I think Rossum would have wiped them out.

This way, they serve a term for the Dollhouse, and before they're released back into the world, their Rossum-memories are permanently removed.

Oh, and -- I love you, Liese, for how well you articulated the ick about this show.

Wasn't there an article where Joss said something very confusing about how we won't find out what drives Ballard this season, and leaving that a mystery was somehow the best narrative structure? Dude. We need *something* on Ballard to make us care. Hopping into bed with Mellie to prove that Bouncy the Rat guy was wrong doesn't cut it.

I agree. Drop a few hints. Otherwise it is a bit too mysterious to make any sense.

It's so mysterious I don't even realize there's a mystery, and just end up bored. And that's just wrong when we're talking about Tahmoh.

I'd like an episode where Tahmoh doesn't have to take his top off and they actually give him some acting to do. Radical, I know.

They apparently don't give us any Paul backstory this season, which is knobish since I can't see there being another due to the ratings. He's like Paul from The Inside - nice enough, but back the fuck off, kthxbai.

Joss on Sierra: [link]