Did they boo? Sorry...one-track mind.
Buffista Movies 7: Brides for 7 Samurai
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
I think I remember that the Cannes version was an early rough cut. But I always enjoy Tarantino so we'll see it this weekend.
And both of the above reviews confused me for different reasons, but this bit from Denby really jumped out:
Tarantino has gone past his usual practice of decorating his movies with homages to others. This time, he has pulled the film-archive door shut behind him—there’s hardly a flash of light indicating that the world exists outside the cinema except as the basis of a nutbrain fable.
This time?
This time?
Seriously. The list of "homages" in Pulp Fiction runs to like sixty pages. But if people haven't seen HK classics like City on Fire or 70s grit like Charley Varrick they'll never know.
Ditto for Kill Bill and Death Proof.
And he's not exactly shy about acknowledging them, either. He want necessarily volunteer them (though he does on some), but if they get noticed he'll talk all day about them.
The one that always hauled me up short was the "hard men with pliers and a blow torch" line that he stole from Charley Varrick.
Tonight's DVD is Underworld 3.
That's a whole lot of British actors doing terrible things for a paycheck.
Apparently Kate Beckinsale is returning to the franchise for the next one.
Bill Nighy in particular should be ashamed of himself.
Bill Nighy in particular should be ashamed of himself.
British actors have no concept of this. Think in Michael Caine in Blame it on Rio.
It's not his presence in the movie. It's the way he's chewing his way through the styrofoam castle.