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Buffista Movies 7: Brides for 7 Samurai

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.

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§ ita § - Jul 06, 2013 5:12:36 am PDT #24843 of 30000

Well not canonically, no, but this is transformative fiction.

The Heat is a quality buddy cop movie. LOVE.

Wasn't it though? I admit I was expecting it to be funnier--but it didn't need to be. I think it managed the humour without making you dislike the characters (they kept some strengths throughout), and the crime that they had to investigate was properly personal, and the personal arcs for both the buddies satisfying.

And I found it extremely easy to empathise with them both. And, shit, I haven't liked a Wayan in a long time. Small role, but fond.

Can we have more girl+girl buddy movies? A couple more girl+boy ones?

Burrell - Jul 06, 2013 6:20:30 pm PDT #24844 of 30000

Why did Darth Vader cross the road? To get to the Dark Side!

I want to see The Heat, will have to find a way to make that happen.

§ ita § - Jul 08, 2013 4:37:47 am PDT #24845 of 30000

Well not canonically, no, but this is transformative fiction.

I think this video [link] is very cool, but I can't put it in context (almost said perspective, there). How does that compare to other directors, and what percentage of his (money) shots does it account for?

Juliebird - Jul 08, 2013 4:52:06 am PDT #24846 of 30000

I am the fly who dreams of the spider

The pool of shots does seem limited and were repeated at least twice, if not three times, or were slightly different timestamps of the same scene.

But, yes, very cool (also, using Clint Mansell's Lux Aeterna from Requiem for a Dream always makes everything %500 more awesome).

DavidS - Jul 08, 2013 4:52:35 am PDT #24847 of 30000

"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

How does that compare to other directors, and what percentage of his (money) shots does it account for?

I think that shot composition is so strongly associated with Kubrick that to use it would be called "Kubrickian."

I bet the Coen brothers and Fincher have used that composition. Wes Anderson too. But probably with an element of self-consciousness that they were borrowing from Kubrick.

Juliebird - Jul 08, 2013 4:56:26 am PDT #24848 of 30000

I am the fly who dreams of the spider

I immediately thought of Moonrise Kingdom (which was the most recent WA film I've seen) and realized that Wes Anderson definitely uses that single perspective a lot, coupled with (I don't know the term) sideways tracking shots.

Tom Scola - Jul 08, 2013 5:05:12 am PDT #24849 of 30000

Remember that the frontier of the Rebellion is everywhere. And even the smallest act of insurrection pushes our lines forward.

Here's an interview with Moonrise Kingdom's cinematographer: [link]

§ ita § - Jul 08, 2013 12:39:37 pm PDT #24850 of 30000

Well not canonically, no, but this is transformative fiction.

Thank you, America.

(Seriously, did someone get paid to "write" that "article"?)

Polter-Cow - Jul 08, 2013 1:06:19 pm PDT #24851 of 30000

What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

Did someone get paid to come up with ridiculous fucking axes to create useless "infographics"?

§ ita § - Jul 08, 2013 1:26:53 pm PDT #24852 of 30000

Well not canonically, no, but this is transformative fiction.

The number 29.4 is only a little bit bigger than the number 27.7 which is associated with the box office of a different movie everyone hated. Want to know more?

Who could resist a hook like that?

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