Buffista Movies 7: Brides for 7 Samurai
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
In addition to all of the things to like about Much Ado About Nothing already mentioned, we liked seeing all of the familiar names in the list of extras -- it really is friends and family, and it's fun to think that all of those (former) coworkers are really friends.
Man, Amy Acker was great, wasn't she? Also on a minor note, Sean Maher really looks like a man now -- I almost didn't recognize him at first.
Okay, The Heat is a quality buddy cop movie. LOVE.
I just watched Scarface, and that's a quality gangster movie.
Watching "Midnight run" for the 10th time. We are watching MR because Beau got mad during Hot Coffee" and he said during the movie he wanted to go to the store, buy a gun, and shoot himself in the head. The movie he thought was a bit of a downer. I thought it was informative.
Anyway, I recommend HC, it is about political and corporate influence in the changing of tort laws in the US and how there are now limits on how much we can get in civil trials, how Karl Rove and friends have fucked with judge elections, and how some companies have forced arbitration.
The Heat is a quality buddy cop movie. LOVE.
Wasn't it though? I admit I was expecting it to be funnier--but it didn't need to be. I think it managed the humour without making you dislike the characters (they kept some strengths throughout), and the crime that they had to investigate was properly personal, and the personal arcs for both the buddies satisfying.
And I found it extremely easy to empathise with them both. And, shit, I haven't liked a Wayan in a long time. Small role, but fond.
Can we have more girl+girl buddy movies? A couple more girl+boy ones?
I want to see The Heat, will have to find a way to make that happen.
I think this video [link] is very cool, but I can't put it in context (almost said perspective, there). How does that compare to other directors, and what percentage of his (money) shots does it account for?
The pool of shots does seem limited and were repeated at least twice, if not three times, or were slightly different timestamps of the same scene.
But, yes, very cool (also, using Clint Mansell's Lux Aeterna from Requiem for a Dream always makes everything %500 more awesome).
How does that compare to other directors, and what percentage of his (money) shots does it account for?
I think that shot composition is so strongly associated with Kubrick that to use it would be called "Kubrickian."
I bet the Coen brothers and Fincher have used that composition. Wes Anderson too. But probably with an element of self-consciousness that they were borrowing from Kubrick.