That's basically how DH felt - [link]
Cool. I just saw The Dark Crystal last night. Maybe I'll watch Labyrinth and then catch Your Highness after that.
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That's basically how DH felt - [link]
Cool. I just saw The Dark Crystal last night. Maybe I'll watch Labyrinth and then catch Your Highness after that.
I'm so glad I asked about Crash. Maybe I'll check out the novel. I wonder why filmmakers feel the need to tackle 'unfilmable' books.
I wonder why filmmakers feel the need to tackle 'unfilmable' books.
Because there's no committee that decides unfilmable?
There's something familiar about the Cowboys & Aliens trailer...
Ha!
What? Seriously? In Cowboys and Aliens, Daniel Craig gets to blow things up with a thing on his wrist? On his wrist? Just like Iron Man did in just about every single scene in Iron Man? Just like that thing that pretty much only Iron Man can do?
Plus, who doesn't like a challenge!
I wonder why filmmakers feel the need to tackle unfilmable books.
That reminds me of one of my first film classes at NYU, which was "Film and Literature" taught by Alain Robbe-Grillet. The first day he opened Proust and read the first line aloud ("Longtemps je me suis couché de bonne heure...") and basically asked, "How do you film that? You can't. I don't believe in adaptation." Um, okay? It went downhill from there.
I wonder why filmmakers feel the need to tackle unfilmable books.
If they didn't, we wouldn't have Tristram Shandy and that would be a real shame.
I wonder if French cinema's love of the voiceover comes from a desire to capture the beauty of prose. Maybe it's not just exposition. (Is it annoying to discuss these sorts of things with someone who's never had a film class?)
Oh my goodness Tristram Shandy is such a great movie. And I find myself thinking parts of Infinite Jest would look really amazing on screen.
I didn't think Crash was a great movie.