I'd have problems with the crazy ending anyway (they had to turn it into a monster movie?), but my biggest problem was I couldn't figure out what the hell was happening for the most part. Maybe it was intended to simulate the experience of those involved, but it mostly just aggravated me. For whatever reason, I didn't have problems with similar stylistic effects in 28 Days Later.
Willow ,'Get It Done'
Buffista Movies 7: Brides for 7 Samurai
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I recall going to an existential place with the 'monster' aspect and just riding with it.
I guess I was hoping they'd go in a more outre (e.g. 2001) direction and Boyle & co. went with the more convential/commercial ending, but then tried to turn it into an outre ending anyway with the style.
Granted, it's arguable that 2001 turns into a monster movie for part of the second half (with Hal as the monster).
I love the rhythm and visuals of the start of Sunshine. I may only ever watch the first 2/3 again.
Also, Chris Evans.
Cracked being a party pooper:
Might as well put this in here. 20 greatest movies Hollywood never made [link]
#5 pisses me off the mostest.
Interesting list, DJ. Isn't an adaptation of On the Road coming out soon, though?
I think I heard that, and there's mention of it in the comments. Mostly I'm pissed at GP for The Secret History and whoever for Confederacy of Dunces.
No lie, every once in a while I will get a real bug up my skirt about TSH and will go in search of news, and when it once again turns out it's not being made I am annoyed.
It was such a great book, it is surprising it hasn't gotten made into a film yet.
It looks, from this link, like Gwynnie owns it and wants to play the lead (Camille, I think) and wants her brother to direct.
I'm most pissed about The Alienist.
Too gruesome? Really? Compared to what? Sense and Sensibility?