No, I doubt it's maliciously done.

Poor writers. Poor people who lock their office door and leave the story at the end of the day. I'm sure they *know* that viewers and fans rewatch, a lot. But I'm not sure they have any concept of how ingrained canon becomes for some fans, due to rewatch and dissection and discussion and meta discussion. Let alone fic and grey canon. I think few, if any, writers actually comprehend fandom, and I think they'd be a little alarmed--although maybe a little gratified--at how intense some fans can be about character and story. As opposed to fans who are preoccupied about the actors, or fandom itself.

Aw, at the up-fronts: [link]

And Superwholock gets closer to reality--Captain Jack is behind Jared! Yes, I know Barrowman's currently on Arrow. Fun to fuel the cross-fandom flames, though.

On top of all that--more gets filmed than makes it onscreen. Not everyone actually sees the actual episode. They may have mentioned reapers were angels and it got left on the cutting room floor and no one noticed--Colin mentioned that happened a frustrating amount (n>0) on Eureka.

Especially the network. They see an early cut, and that's what they're thinking happened because they never see the final one. So they make intractable demands about what gets mentioned in subsequent eps based on that. And actors who don't watch the show are also surprised about what's not actually canon or in their character anymore.

It's a clusterfuck, and I can't get upset about little things-- except in fanfic. But reapers being angels could do with some explanation, not just assertion.

eta: Seeing Ruby 1.0 near the boys is weird.

The Js have signed for S11, according to post-Upfronts Twitter.

At this point I hope the boys are making Buku bucks. Doing the same character this long is hard on any actor. (Unless they start phoning it in, which has not happened.) So I hope they are being paid "I can afford a yacht even if I never work again" rates.

They've said this is easy and they're not sure who else to be.

Oh, I missed that comment. I thought it was probably a little of that. Some fear or trepidation of exploring something new, outside the safety net of SPN. I think they feel both a responsibility to their crew--all those jobs, riding on us!--and a reluctance to depend on strangers when they feel safe and supported with the crew they know.

I really would like to see them each do different things. But from here, which admittedly is very far away from their lives and decision-making, it looks like they get more entrenched, more deeply into that comfortable rut, with every season. And I have some regret at the performances we could be missing because they're still doing SPN.

They've said this is easy and they're not sure who else to be.

That's sort of sad to me. But I'm sure they're pretty well compensated now. And maybe they're looking forward to making wine and stuff when the show is over.

I'd just flat out say they found a family--they work with their best friend every day, the cast and crew is considered family quite strongly even for a normal show, and if Colin is still doing a small con every two or three months, these guys will be conning it up BIG for at least a decade. And that pays them as much as SPN.

eta: I saw some of the new Red Dawn yesterday and was detached enough that survivalist Marine John next to angry survivalist Jess was really (honestly, I admit in shame) touching.