I'm also having a bad couple of days and not a lot of sleep, so it seeps into the hobby as well.

It's interesting to see all the world-building people go through to write a fantasy novel. I have to admit I sort of went with the make sh*t up as I need it approach. I think there is a lot to be said for intricate world-building, but making sh*t up has certainly helped me save time.

Next week is BEA, so everyone in publishing will be away.

The week after that, my agent is submitting my proposal for Gothic Charm School 2 to my editor!

Good luck!

"She loves New Orleans. The heat and history and dissolute greatness that's slightly shabby and decaying around the edges. It's relentless and primal and everything hedonistic that she's always wanted to be."

Every now and again, I come up with a little bit of something I'm really, really proud of.

As you should be.

Aw man, that post about world-building made me sound like I was saying 'My approach to world-building is soooo much better.' I was more meaning, there are a lot of people out there who make me feel like a real slacker when I look at my one page of notes that's really a list of names so I spell them the same. They will have all the richer worlds than mine, but at least it saved me time.

I like kind of a middle road--having some things laid out but being open to the sudden burst of insight that comes about from the plot. I adore when the Scroll of Universal Understanding unrolls itself in the middle of something I'm working on.

I was doing some editing last night and I came across a line that was a great bit of foreshadowing of what this character would do later, echoing the reasoning he would use for some ominous doings. It was also totally unintentional. Apparently, I do my best foreshadowing by accident.

Apparently, I do my best foreshadowing by accident.

It is often the case.