Much of it will be ... fun stuff to write, though, so.

And I'm sure you know what I mean by that. Ahem.

Ahem indeed, love.

So get to it.

(And what's it for?)

I'm just doing a first draft so the speed is deceptive. I'm trying not to pester my wife too much to read chapter 5 now that I'm done with it.

I need to write 6,000 words by THURSDAY, and I'm panicking. Damn.

I'm glad that it is fun stuff to write though. I wish you much inspiration.

(And what's it for?)

Um ... ::looks shifty::

Amy, you can do it! I shall cheerlead you into the zone!

I'm gonna ride on Amy's coattails, because I've got... lots more words than that.

Finally heard from Agent!Kate! on the proposal for the sixties story-- sort of.

She's read it. She likes it and thinks it's going to be really, really strong. She also has some notes about plot progression and pacing (always my weak point) that she's going to try to get to me by Wednesday.

::goes to corner and curls up in fetal position::

Although... she did say she liked it. I'm cautiously optimistic.

That sounds good.

Looks like another 1000 words for chapter 6 last night despite a trip to the store during writing time. I'm wondering if the break between chapter 5 and 6 should be moved back a little bit, there's another natural break. Oh well, not every important.

At the end of chapter 6 I'm running into a dilemma. My group of characters ends up unexpectedly taking some captives who are essentially civilian enemies. The leader wants to kill them all to leave no loose ends, there are objections and he apparently relents coming up with a plan so they can free themselves after awhile. However he subtly indicates to a loyal subordinate that he is to quietly take care of the loose ends.

The dilemma is that I want to reader to pick up on this or at least suspect it, but I'm in a close third person perspective and I don't want that main character to pick up on it and that character is smart enough to figure it out. I'm thinking maybe something like 'if she was paying attention..." or maybe I should just never indicate what happens but allow for it in the sequence of events and figure the reader might likely never think about what might be happening.

I think, no matter how you present it, some readers will pick up on it and others won't. I'm the kind of reader who loves wondering whether little things are supposed to be clues.