Remember that sex we were planning to have, ever again?

Zoe ,'Our Mrs. Reynolds'


Procedurals 1: Anything You Say Can and Will Be Used Against You.

This thread is for procedural TV, shows where the primary idea is to figure out the case. [NAFDA]


§ ita § - Mar 01, 2011 2:34:55 pm PST #7217 of 11831
Well not canonically, no, but this is transformative fiction.

It might not count since he's not a cop. Dunno.


Vortex - Mar 01, 2011 2:58:41 pm PST #7218 of 11831
"Cry havoc and let slip the boobs of war!" -- Miracleman

If it affects their working relationship, he can just leave, there's no job involved.


Jesse - Mar 01, 2011 3:11:49 pm PST #7219 of 11831
Sometimes I trip on how happy we could be.

Somewhat related to Castle, I found out recently that Susan Sullivan's sister works where I work! Not that I've met her.


WindSparrow - Mar 01, 2011 3:25:57 pm PST #7220 of 11831
Love is stronger than death and harder than sorrow. Those who practice it are fierce like the light of stars traveling eons to pierce the night.

Not only is he not a cop, he's not on any payroll. Castle is there on a completely voluntary basis. If and when his presence, whether due to a more personal relationship with Beckett or age-related dementia, becomes more of a hindrance than a help, Beckett could ask/demand/beg that he stop the ride-along. Yes, there is a certain amount of pressure from The Mayor, but if she really did not want him there, she could get him to stay away. If and when they do become romantically involved, there will be some wrestling with the notion that his presence could jeopardize her judgment and put her in danger, or seriously jeopardize her career because he gets himself into trouble. Whether that's a short conversation and resolved like Peter Wimsey and Harriet Vane managed that conflict between them, or whether it is the theme of half a season, nobody knows but the show-runners (and maybe they don't know yet).


Connie Neil - Mar 01, 2011 3:29:30 pm PST #7221 of 11831
brillig

I hope they get a somewhat serious discussion of "Castle, you've been married twice, what do you know about making a real relationship work?" Maybe it's something Martha could bring up, she's got a remarkably sensible head on her shoulders.


§ ita § - Mar 01, 2011 3:36:34 pm PST #7222 of 11831
Well not canonically, no, but this is transformative fiction.

I don't think that two divorces makes him less knowledgeable than someone who hasn't been married at all. It might make him more knowledgeable. It might have no bearing at all.


Barb - Mar 01, 2011 3:41:31 pm PST #7223 of 11831
“Not dead yet!”

He'd definitely have to ask himself why his marriages didn't work. It's been intimated that the one with Alexis' mom didn't work because as much of a kid as he is, he knows when and how to be an adult, something which she still struggles with, thinking that life's the eternal party.

The one with his publisher/editor is a stickier situation, given that she's obviously an adult, so why didn't that one work? Because she's in a position of power over him? He seems to be able to deal with that where Beckett's concerned, but maybe that's because he acknowledges that she's the professional. So if it's not the actual power, maybe it's the manner in which it's wielded? Maybe it's just a case of compatible only up to a certain point?

Maybe it's because for all her independence and strength, Kate occasionally allows herself to lean on him?

So many delicious possibilities.


Ginger - Mar 01, 2011 3:46:57 pm PST #7224 of 11831
"It didn't taste good. It tasted soooo horrible. It tasted like....a vodka martini." - Matilda

We know he was competitive with wife #2 about Alexis, and it sounded like he was afraid of losing his unique relationship with his daughter.


Vortex - Mar 01, 2011 5:26:32 pm PST #7225 of 11831
"Cry havoc and let slip the boobs of war!" -- Miracleman

I love that he's even moving like Neal.


Vortex - Mar 01, 2011 6:02:39 pm PST #7226 of 11831
"Cry havoc and let slip the boobs of war!" -- Miracleman

STOP THAT! That belongs to Peter!