Sometimes I miss having powers... Oh. Oh! I know what this is! This is peer pressure! Any second now you're gonna make me smoke tobacco and--and have drugs!

Anya ,'Showtime'


Comedy 1: A Little Song, a Little Dance, a Little Seltzer Down Your Pants

This thread is for comedy TV, including network and cable shows. [NAFDA]


Steph L. - Oct 27, 2010 6:11:16 am PDT #3273 of 8624
I look more rad than Lutheranism

I assume we're supposed to think glee-club teacher guy was being an inappropriate creep? Because, EW.

I'm fairly certain that's not actually the case. Even more EW.

I think I said that wrong. What I meant was not whether the *show* wants the viewers to be skeeved out by creepy teacher guy, but whether the reaction that I (and several other people here) had was a not uncommon reaction.

Er, that is, I was afraid I was the only one going "Ew! Ack! Stop!" Whether the show wanted me to or not is irrelevant to my question. I just wondered if I was the only one, and I see that I wasn't.


Fred Pete - Oct 27, 2010 6:14:31 am PDT #3274 of 8624
Ann, that's a ferret.

I haven't seen the last 15 minutes, but if I may steal a line from A Chorus Line, the ep was "Dance 10, Book 3." Some brilliant musical numbers, especially by characters (Carl, Emma) that don't usually sing. And as much as a female Frank removes the gay, Mercedes slammed the lid down and nailed it on "Sweet Transvestite."

But the ep's story line seemed to shy away from the implications of RHPS. Inevitably, perhaps -- Glee is about nudging the envelope, not pushing it. And much of RHPS would never, never fly in a high school without, at a very minimum, substantial controversy. Much less tearing it to itty bitty pieces, like RHPS does. Still, the ep seems to become annoying every time the music stops.

2) Finn is an excellent Brad.

Agreed. I'm beginning to think his niche is the mainstream pop singer of the kind that disappeared with the '80s. Maybe Phil Collins, but more like Glenn Frey's solo career.


brenda m - Oct 27, 2010 6:16:01 am PDT #3275 of 8624
If you're going through hell/keep on going/don't slow down/keep your fear from showing/you might be gone/'fore the devil even knows you're there

Ah, yes. In that case you're in good company.


Steph L. - Oct 27, 2010 6:20:43 am PDT #3276 of 8624
I look more rad than Lutheranism

The effect of all this, though, is that now I have this urge to dig out my RHPS soundtrack.


Matt the Bruins fan - Oct 27, 2010 6:22:09 am PDT #3277 of 8624
"I remember when they eventually introduced that drug kingpin who murdered people and smuggled drugs inside snakes and I was like 'Finally. A normal person.'” —RahvinDragand

At least Mercedes still referred to herself as a transvestite in-character during her song, so I think Frankenfurter was still intended to be male even if played by an actress. Did they do anything in the last 10 minutes that contradicts that interpretation?

Emma's song was probably the best part of the night, but that was after all being sung between two adults in an otherwise empty room, not between a bikini-clad adult teacher and his 16-year-old student on stage in front of an auditorium full of parents. If they'd gone that far, I think a snapshot of the audience would have looked like the one from the school play in The Addams Family.


Barb - Oct 27, 2010 6:43:29 am PDT #3278 of 8624
“Not dead yet!”

Agreed that Will was a douche, but at least recognized his doucheness by the end of it. And frankly, I thought Carl was as much of a douche in his own way. The two of them were like a pair of alley cats, taking turns pissing in the corner.

I was able to enjoy the episode from the standpoint of I never went into it expecting it to hew exactly to RHPS, but rather around what would happen should a teacher try to put that show on. Frankly, the one thing that annoyed me the most was the fact that Mercedes lobbied for the role of Frank because as she put it [paraphrased] it's the only way she was going to get a lead part.

Gripe aside, I did love "Toucha Toucha Toucha Touch Me" because it was the one number that stayed as true to the original, with Santana and Brittany eavesdropping.


Daisy Jane - Oct 27, 2010 6:49:09 am PDT #3279 of 8624
"This bar smells like kerosene and stripper tears."

Emma's song was probably the best part of the night, but that was after all being sung between two adults in an otherwise empty room, not between a bikini-clad adult teacher and his 16-year-old student on stage in front of an auditorium full of parents. If they'd gone that far, I think a snapshot of the audience would have looked like the one from the school play in The Addams Family.

But that was the point though, right? That he was doing this incredibly wrong, stupid thing for wrong, stupid reasons that was about to put him in that position so he dropped it.


Scrappy - Oct 27, 2010 6:59:36 am PDT #3280 of 8624
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.

Yeah, in the last 15, Will admitted to Emma he was doing the show to get close to her and that was wrong. She was getting better with Carl and if Will loved her, had had to step back and let them be together.

He realizes doing the show is wrong. He goes to the kids and tells them he is canceling the show. He said RHPS wasn't about pushing the envelope, it was about giving a voice and a home to all of the outcasts and misfits. Because of that, it was a good show for the Glee Club to do, but not for an audience, for themselves. So they perform to an empty auditorium, with just Will sitting there, cheering them on.


DavidS - Oct 27, 2010 7:32:09 am PDT #3281 of 8624
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

AV Club gives the Rocky Horror Glee Show an F.

This is from the regular reviewer who loves the show.


Kathy A - Oct 27, 2010 7:35:40 am PDT #3282 of 8624
We're very stretchy. - Connie Neil

did they say *Ohio*???

Lima, Ohio, actually!

And ITA with Fred with everything he said, especially:

Still, the ep seems to become annoying every time the music stops.