However, I also don't think liking a show means you can't point out what it could do better.
That's not what I think a critique is about. I think every work
should
have those kind of contradictions and you're interested in how they're juggled. Though I'll readily admit there are a variety of ways you can approach the notion from dramaturgy to deconstruction to dramatic critique to a theatrical review in a newspaper.
*Not sure of the technical term
Melisma?
Who do you think is the most autotuned? I kind of think Kurt and Finn.
Mercedes, Rachel and Santana seem to have more "real" (unadultered) voices.
The finale had a lot of really bad lipsynching by the club. When Lea started "To Sir with Love," I could immediately tell she was just a hair off, and so were the rest of the cast on that song. Very sloppy.
Melisma is a pretty specific term. It refers to a series of notes sung on one syllable.
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I think Kurt just has a really pure falsetto. I don't think he's auto-tuned.
Finn? Bless his heart.
Pardon my ignorance - what's autotuning?
Thank you Tom!
who needs Wikipedia when we have the hivemind?