Did you notice (oh I forget their numbers) the one minion run across the screen with the other minion's head at the beginning?
the head was 24, can't remember the other one's number.
Inara: So, explain to me again why Zoe wasn't in the dress? Mal: Tactics, woman. Needed her in the back. 'Sides, those soft cotton dresses feel kinda nice. It's the whole... air-flow.
'Our Mrs. Reynolds'
Comedy 1: A Little Song, a Little Dance, a Little Seltzer Down Your Pants
This thread is for comedy TV, including network and cable shows. [NAFDA]
Vortex - Oct 21, 2009 7:33:55 am PDT #1718 of 8624
"Cry havoc and let slip the boobs of war!" -- Miracleman
Hayden - Oct 21, 2009 1:01:55 pm PDT #1719 of 8624
aka "The artist formerly known as Corwood Industries."
21
Aims - Oct 21, 2009 4:09:51 pm PDT #1720 of 8624
Shit's all sorts of different now.
Oh for love of all things taffeta.
Vortex - Oct 21, 2009 4:32:49 pm PDT #1721 of 8624
"Cry havoc and let slip the boobs of war!" -- Miracleman
um, "Bust a Move" doesn't have enough singing to be a good singing group song. The backing track isn't enough to be a song.
quester - Oct 21, 2009 4:52:06 pm PDT #1722 of 8624
Danger is my middle name, only I spell it R. u. t. h. - Tina Belcher.
I only watch Glee for the musical numbers. The "plot" is just a waste of time for me.
brenda m - Oct 21, 2009 5:01:37 pm PDT #1723 of 8624
If you're going through hell/keep on going/don't slow down/keep your fear from showing/you might be gone/'fore the devil even knows you're there
Honestly, it's a lot like some musicals that way. The characters and plots are mostly very broad brushes connecting up the musical numbers. I don't care. I'm just enjoying the ride.
And I kind of want to be Sue Sylvester when I grow up.
quester - Oct 21, 2009 5:08:24 pm PDT #1724 of 8624
Danger is my middle name, only I spell it R. u. t. h. - Tina Belcher.
Jane Lynch played Julia Childs' sister in Julie & Julia.
Barb - Oct 21, 2009 5:13:58 pm PDT #1725 of 8624
“Not dead yet!”
I identified the first wedding dress as a Princess Di knock off from the back.
Lewis was terrified when Emma said the line about her and her cousin idolizing Princess Di as little girls.
Puck's "message from God" had me howling. And you know, while the characters might be drawn with some broad brushes, every now and again, there are some subtle shadings painted in, like with Puck, that start adding depth and interest.
SailAweigh - Oct 21, 2009 5:16:48 pm PDT #1726 of 8624
Nana korobi, ya oki. (Fall down seven times, stand up eight.) ~Yuzuru Hanyu/Japanese proverb
I think what I liked best, tonight, was hearing the "Flight of the Bumblebees" following the slushies down the hallway, seeking out their targets. Hee.
brenda m - Oct 21, 2009 5:21:13 pm PDT #1727 of 8624
If you're going through hell/keep on going/don't slow down/keep your fear from showing/you might be gone/'fore the devil even knows you're there
Oh for sure. Even if structurally it's got that basis the television medium allows them to fill in those brush strokes, if I'm not totally overworking the metaphor. And even a sketchy as they started out, there've always been layers, some of them kind of unexpected. What's her name, the main guy's wife, for example, is unexpectedly sympathetic. Which makes him actually a lot less likable than that role might typically be conceived.
The sister in law and Sue (mostly) excepted, of course.
I'm totally high on Puck right now. And I kind of fell in love with Kurt tonight.