You know, sometimes having Plei in your head is weird, but not when she is way better at saying the things you are thinking about thinking. This!

It's not like I've watch In the Beginning so many times that I've lost count or anything weird or obsessive like that. I mean, umm.

Okay, maybe it is.

And of course, you are totally alone in that.

No, that'd be weird or obsessive, no.

Yeah...

Alastair is a little too Brando for me. I loved the voice he used just at first but as the ep progressed, a little ... Brando. Apocalypse Brando, when he was amazing but also hugely over the top and bombastic.

Oooh, Castiel kept his eyes open when Anna ... did whatever reGraced angels do.

Sam really will forgive Dean anything, I think. I like this. Doesn't bode well for the world, but I like it.

Of course! None of the rest of you have EVER considered that a fine way to pass your car-free commute.

That episode hit me so hard, I couldn't watch Sarah Connor Chronicles until this week (I'm now almost caught up with it) because if I went to watch something on the phone, it was always ItB.

So Dean's slept with an angel who chose to fall, cutting out her own grace so she could feel things as a human does. Sam slept with a demon who's been choosing to unfall, or whatever, because she remembers feeling things as a human.

Sam has been carrying the weight of his demon blood. Dean's been carrying the weight of his, for want of a better term, demon internship/training/coursework.

I feel like I'm on the cusp of some words involving the boys' journeys on separate paths with the same destination, and Ruby and Anna's similarities and the whole heaven and hell as a metaphor.

Of course! None of the rest of you have EVER considered that a fine way to pass your car-free commute.

Or at work, when it is slow. I would NEVER do that.

I feel like I'm on the cusp of some words involving the boys' journeys on separate paths with the same destination, and Ruby and Anna's similarities and the whole heaven and hell as a metaphor.

YUM.

I feel like I'm on the cusp of some words involving the boys' journeys on separate paths with the same destination, and Ruby and Anna's similarities and the whole heaven and hell as a metaphor.

I feel you are the cusp of this as well. Keep going, dammit.

I mean, they *are* walking these mirror paths and ... I swear Kripke better know where he's going with this.

I feel like I'm on the cusp of some words involving the boys' journeys on separate paths with the same destination, and Ruby and Anna's similarities and the whole heaven and hell as a metaphor

::feeds Plei a couple of dictionaries and a thesaurus::

I'm hoping we get to see Anna, again. And find out what her angelic moniker is. I mean, she'll need a new meatsuit since she kind of nuked the one she was in, but I really want to see her release a can of whoopass on Uriel. Someone's got to!

Damn, just realized (again) that they nuked Anna's meatsuit. I loved that meatsuit. Especially the meathair portion.

(That should be "the whole heaven and hell as a metaphor for the human condition thing" or something like that.)

I'm pleased with how messy the concepts of good and evil are. The show, being what it is, is not as astonishingly good at showing every action having a consequence as the only other show I'm watching is (that being Terminator: The Sarah Connor Chronicles), which is an occasional source of frustration to us all, but the blurry lines with love and hate, good and evil, choice and destiny? Maybe part of the sloppy edges of the show itself, but lovely to see, for me.