I feel like I'm on the cusp of some words involving the boys' journeys on separate paths with the same destination, and Ruby and Anna's similarities and the whole heaven and hell as a metaphor
::feeds Plei a couple of dictionaries and a thesaurus::
I'm hoping we get to see Anna, again. And find out what her angelic moniker is. I mean, she'll need a new meatsuit since she kind of nuked the one she was in, but I really want to see her release a can of whoopass on Uriel. Someone's got to!
Damn, just realized (again) that they nuked Anna's meatsuit. I loved that meatsuit. Especially the meathair portion.
(That should be "the whole heaven and hell as a metaphor for the human condition thing" or something like that.)
I'm pleased with how messy the concepts of good and evil are. The show, being what it is, is not as astonishingly good at showing every action having a consequence as the only other show I'm watching is (that being Terminator: The Sarah Connor Chronicles), which is an occasional source of frustration to us all, but the blurry lines with love and hate, good and evil, choice and destiny? Maybe part of the sloppy edges of the show itself, but lovely to see, for me.
Damn, just realized (again) that they nuked Anna's meatsuit. I loved that meatsuit. Especially the meathair portion.
Angels can appear in dreams, this we know.
Therefore, perhaps angels can appear in those special sort of grace-filled dreams. Nudge, nudge. Say no more.
Are you trying to say Anna might be Dean's night time happy place?
It's the sloppy that I love. Not because it's sloppy but because there aren't clear lines. There aren't even clear vague guidelines. It's all gray.
And no matter how much white you add after that, you still only have gray.
You know, "Amazing Grace" is never going to be the same to me, now.
Are you trying to say Anna might be Dean's night time happy place?
I'm just saying, I hope he does his own laundry instead of leaving it for housekeeping.
Sail, I had a BAD Hail Mary moment, I tell you what.