Myths have codas and patterns and things happening in threes; urban legends have you waking up in an ice-filled bathtub with a phone on your chest and no kidneys.

Bloody Mary and Hookman are urban legends. Werewolves and vampires are definitely not urban legend material. Those are straight-up horror tropes drawn directly from myth.

I love you, Nutty. I just wanted to say that.

goes back to staring admiringly at Nutty's post.

Werewolves and vampires are definitely not urban legend material.

Unless you live in Central America with that vampire thing called the "goat sucker". The Chupacabra, that's it.

We may have different definitions of urban legend, but I think my statements still stand even if I was calling a myth and urban legend or an urban legend a myth. The stories are coming from already established (choose one).

eta: I love Nutty too ::pouts:: This doesn't mean I don't.

(I am amused that the Metallicar thread over at TWOP is discussing the implications of the bench seat. . . have we discussed those implications here?)

have we discussed those implications here?

Um... what kind of implications?

1. to move the seat - the whole thing moves.

2. excellent for snuggling

3. and it reclines.

have we discussed those implications here?)

No, but I've read more than a few John/Mary fics that have Dean being conceived on that seat.

The stories are coming from already established (choose one).

I guess I don't disagree, in the main; but the source from which the episode draws will in some wise inform the woman-in-peril, oh-wait-I-meant-bikini quotient. If you're drawing directly from late-70s horror movies, high quotient. If you're drawing from the same myths that also inform those movies, but not directly from the movies, the quotient gets lower (and the women are more likely to be in, like, flannel nightgowns).

I've had this conversation before, about where the demon-control stuff comes from: all the Catholic material on the show is basically pre-Vatican II, not because the writers are all old farts or Mel Gibson, but because The Exorcist performs Catholicism in a pre-II manner. (IIRC, the novel on which the movie is based came out peri-II.)

Note to world: don't take your Monster Killing Methods from late-night movie fests! Monsters do not, themselves, watch television as a general rule!

wrt bench seats... Big old bench seats like that are usually in two pieces, aren't they? Constance Welsh tipped Sam back without tipping the whole seat, didn't she? Our big ol' cars with bench seats were actually in two pieces.

Plei would know, she's got the manual.

So, that's how Sam still has legroom when Dean is driving?

I've had this conversation before, about where the demon-control stuff comes from: all the Catholic material on the show is basically pre-Vatican II, not because the writers are all old farts or Mel Gibson, but because The Exorcist performs Catholicism in a pre-II manner

Huh. That is a very good point, and one I'd never really thought about. But a lot of the horror genre toolkit for black magic comes from pre-Vatican II. When it's not bastardizing Voudon, that is.