Inara: So, explain to me again why Zoe wasn't in the dress? Mal: Tactics, woman. Needed her in the back. 'Sides, those soft cotton dresses feel kinda nice. It's the whole... air-flow.

'Our Mrs. Reynolds'


Supernatural 1: Saving People, Hunting Things - the Family Business  

[NAFDA]. This is where we talk about the CW series Supernatural! Anything that's aired in the US (including promos) is fair game. No spoilers though -- if you post one by accident, an admin will delete it.


Cass - Aug 14, 2007 7:11:25 pm PDT #1226 of 10002
Bob's learned to live with tragedy, but he knows that this tragedy is one that won't ever leave him or get better.

just a strong and not very thought out dependence on some tropes that are, when viewed as a group, deeply disturbing.
Really disturbing.

Am I the only one who saw two shots of Jo in the vid? One was from Bad Sign but the other was ... not.


P.M. Marc - Aug 14, 2007 8:03:00 pm PDT #1227 of 10002
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

Am I the only one who saw two shots of Jo in the vid? One was from Bad Sign but the other was ... not.

I watched it on iMeem at work. I might have missed one or two due to connection and gooseflesh issues.

The vid gave me serious chills.


Ailleann - Aug 14, 2007 8:05:36 pm PDT #1228 of 10002
vanguard of the socialist Hollywood liberal homosexualist agenda

I think the two clips I noticed of Jo were from BUaBS. I didn't see Ellen.

I'm... starting to feel not quite normal.


smonster - Aug 14, 2007 9:03:26 pm PDT #1229 of 10002
We won’t stop until everyone is gay.

I really like the vid, for several reasons. Not least of which is the counterpoint of the song with the imagery, and my deep and abiding love of "Violet" dating back to 1995.

I'm with Plei and Nutty et al on the disturbing sexualization of violence as an unconscious cultural trope followed by and contributed to Kripke and Co.

This. I mean, it's not a show about women saving themselves, but OTOH they're not Captivity...

Also, this. That show's been done. Called BtVS (although even there, it wasn't always true).

This statement pings me hard. I want not just One Show to love and cuddle for all time (though I will) but a wide variety of shows to love and cuddle. I want a dozen shows about women saving themselves and others*. True that all shows can't be all things, but I really appreciate when fans call out Skanky Gender (or Race) Issues, especially in such an artistic manner.

Supernatural has given (and surely will continue to give) us wonderful stories of family and brotherhood and sacrifice. I don't believe that more balanced gender roles and less sexualized violence would be incompatible with that.

Has anyone compiled the episode census stuff into a chart or totalled the numbers or anything?

* And not just saving people, hunting things, but fucking up and drinking too much and hurting people and and and...

Paraphrasing from a review of one of my favorite books, I would claim for women the entire spectrum of human behavior.


Theresa - Aug 14, 2007 11:09:41 pm PDT #1230 of 10002
"What would it take to get your daughter to stop tweeting about this?"

I'm with Plei and Nutty et al on the disturbing sexualization of violence as an unconscious cultural trope followed by and contributed to Kripke and Co.

See, I am conscious of this in some cases, and quite angry when I see it, but I wouldn't have picked Supernatural as a major offender. To me, it's not even in the same league. I understand the points that have been made here and respect them enough to watch with an eye out for that in the future, but I still think this show is much more equal than even some non horror, mainstream network shows out there.

This statement pings me hard. I want not just One Show to love and cuddle for all time (though I will) but a wide variety of shows to love and cuddle. I want a dozen shows about women saving themselves and others*.

Honestly, I want that too. But I don't want that in Supernatural. The story is between the two brothers and that is what I have been tuning in to see for the past two years. I don't know how you give them someone to save without it being a woman at least part of the time. Although an all male victim show would be an experiment that I would be behind 100%.


Ailleann - Aug 15, 2007 4:19:21 am PDT #1231 of 10002
vanguard of the socialist Hollywood liberal homosexualist agenda

Although an all male victim show would be an experiment that I would be behind 100%.

Especially if the then-saved victim tries to make out with one of the brothers at the end.



... What?


smonster - Aug 15, 2007 4:27:39 am PDT #1232 of 10002
We won’t stop until everyone is gay.

I don't know how you give them someone to save without it being a woman at least part of the time.

It's not just the numbers (though I'd like to see them) but again, how the violence is filmed. Consider Dead in the Water:

Girl dies: in bikini, swimming in lake

Boy dies: yanked into kitchen sink

Amy A almost dies: naked in bathtub

Ain't nothing sexy about a guy dying w/ his head stuck in a sink. Or I'll put it this way: try to imagine a man in the Amy A bathtub scene. (HA! I just flashed to that episode of Smallville with Clark in the red bike shorts submerged in krypto juice and rescued by Lex. Not the same thing. But maybe as close as we'll get with a guy.)

I still think this show is much more equal than even some non horror, mainstream network shows out there.

You are probably right on that. Any you have in mind? Honestly curious. Are you talking procedurals? The only one I watch is Bones, and the victims are usually long dead.


Ailleann - Aug 15, 2007 4:39:07 am PDT #1233 of 10002
vanguard of the socialist Hollywood liberal homosexualist agenda

I started doing this last night... here's a breakdown of the first six episodes:

Pilot: female perp (ghost); male victims (Car Dude, Sam) - targeted for gender male perp (demon); female victim (Jess) - targeted for identity

Wendigo: genderless creature; male victims (campers, Roy), equal gender menacing - targeted for location

Dead In The Water: male child (ghost); mixed victims (two males, one female), mixed menacing (one woman, one man, one child) - targeted for relationship to spirit

Phantom Traveler: genderless creature; genderless victims (entire flight) - targeted for location

Bloody Mary: female perp (ghost); mixed victims - targeted due to specifics of urban legend/ghost's specific MO

Skin: creature, gender assumed male; female victims, mixed menacing - targeted due to gender

This kind of breakdown doesn't speak to the appearance of the different dead and/or menaced wrt sexuality. I would need to do a visual recap for that, and that's largely interpretive.

I guess for me, where gender becomes an issue is who is targeted and why, not how they appear. To me the appearance is more a factor of the construction of television as a whole, rather than the individual intentions of the creators.

Perhaps I'm too generous to the patriarchy of the Male 18-34 Demographic.


sumi - Aug 15, 2007 4:48:18 am PDT #1234 of 10002
Art Crawl!!!

Did you break down season 2, too?


Ailleann - Aug 15, 2007 4:56:24 am PDT #1235 of 10002
vanguard of the socialist Hollywood liberal homosexualist agenda

I've only done half of S1 so far.

My thought was that, if we're talking about the sexualization of the victims *regardless* of the reason or... relative quantity? (aka frightened, injured, dead) of their victimization, then it doesn't much matter who they were attacked by, or whether any males were victimized in equal amounts.

I guess it breaks down to "how it appears" versus "why it happens." And since I'm coming at this apparently blind, I'm wondering what the overall purpose of the vid is.

(I think it's "how it appears", because there's some clips that should definitely be removed from the vid if it's "why it happens." Also, that's a completely different analysis...)