Plus - Jet Li! And Michelle Yeoh!
And Russell Wong!
'War Stories'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Guh!
said scarabs are not, in fact, stripping the flesh from the kindergarteners' bones,
Sounds like a field trip to me.
From the Scott NYT review linked above:
For all its pious, earnest air, “Seven Pounds” cries out to be remade as an Asian horror movie, so that the deep, creepy grotesqueness of its governing premise might be allowed to flourish, rather than to fester beneath the surface.
Wow.
From the Scott NYT review linked above:
Man, that's almost got as much haughty disdain as your typical NYT book review.
There's been discussion (and, of course, spoilage) of Seven Pounds in the Spoilers thread. The whole premise of the movie sounds utterly, utterly depressing. Also, weird.
Man, that's almost got as much haughty disdain as your typical NYT book review.
See, for me, the review read less like haughty disdain and more like a well articulated WTFingF??!?!?!??!!
There's been discussion (and, of course, spoilage) of Seven Pounds in the Spoilers thread. The whole premise of the movie sounds utterly, utterly depressing. Also, weird.
Okay, now I've gotta go over there to see if my guess about the premise is right.
eta: Not quite, because there's no way I could possibly have guessed at that particular ending, but I did indeed get the cheesy side of the plot.
I'm not sure anyone could GUESS the ending. I mean the general sketches of the ending seem apparent from the commercials I've seen, but the specifics slay me. Absolutely slay me.
I'm currently watching AMC, which is showing The Right Stuff. They've got John Glenn in orbit right now, which has one of the best uses of classical music in modern film (outside of Amadeus)--Holst's The Planets, the Mars and Jupiter movements.