From the Scott NYT review linked above:
For all its pious, earnest air, “Seven Pounds” cries out to be remade as an Asian horror movie, so that the deep, creepy grotesqueness of its governing premise might be allowed to flourish, rather than to fester beneath the surface.
Wow.
From the Scott NYT review linked above:
Man, that's almost got as much haughty disdain as your typical NYT book review.
There's been discussion (and, of course, spoilage) of Seven Pounds in the Spoilers thread. The whole premise of the movie sounds utterly, utterly depressing. Also, weird.
Man, that's almost got as much haughty disdain as your typical NYT book review.
See, for me, the review read less like haughty disdain and more like a well articulated WTFingF??!?!?!??!!
There's been discussion (and, of course, spoilage) of Seven Pounds in the Spoilers thread. The whole premise of the movie sounds utterly, utterly depressing. Also, weird.
Okay, now I've gotta go over there to see if my guess about the premise is right.
eta: Not quite, because there's no way I could possibly have guessed at that particular ending, but I did indeed get the cheesy side of the plot.
I'm not sure anyone could GUESS the ending. I mean the general sketches of the ending seem apparent from the commercials I've seen, but the specifics slay me. Absolutely slay me.
I'm currently watching AMC, which is showing The Right Stuff. They've got John Glenn in orbit right now, which has one of the best uses of classical music in modern film (outside of Amadeus)--Holst's The Planets, the Mars and Jupiter movements.
Whoa, Kathy. You just sparked an amazing memory for me.
Good lord. Was is 30?! years ago?
I went to an outdoor concert at the Concord Pavilion, of science fiction 'movie music'. All the classic John Williams stuff...I think he was even there.
The highlight was Holst's, Mars, the bringer of war, Jupiter, the bringer of jocularity. We lay on our backs, watching falling stars. It really was a magic moment.
Plus, I got a great new vocabulary word out of it.
Good times, man, good times.
"What a heavenly light."
And until Ocean's 11, greatest use of Debussy in a film sequence.
Okay, at bonny's mention of that concert, I can't pass up the opportunity to post this. These are the guys who actually arranged and sang the medley. I'd recommend watching in high quality, but that's just me.