Just watched the opening title sequence for Catch Me if You Can--
Definitely lives up to the hype-- it's as stylistically pretty as the opening credits for Down With Love.
And the music? Usually, I can spot a John Williams within eight measures (Not that this is bad-- I can do the same with Elfman), but he really stretched himself on this one and captured that minimalistic jazz noir feel.
John Williams was a jazz pianist before he started writing film scores.
Man, I have not seen any of those vampire works. I am vampire movie-deficient. Well, I've seen
Blade,
but I don't remember a kid vampire.
Oh, and you mean
Ultraviolet
the series! Which I will be watching soon enough. I'm glad it has a creepy child vampire.
John Williams was a jazz pianist before he started writing film scores.
Yeah, but I've not really known him to incorporate the background quite to this extent. It didn't have that blatant "I am a John Williams score" feel to it at all.
Did you ever hear the "1941" soundtrack? That one is a lot of fun.
Did you ever hear the "1941" soundtrack? That one is a lot of fun.
Heh-- I played the march, in both symphonic and marching band. It is one of the best marches ever. And the overture to The Cowboys is also fabulous. (As a French horn player, I loved playing anything Williams—he's always good to the hornies)
ETA: after a lifetime of Sousa marches... god, I love Williams' marches.
I played the French Horn too! and Sousa marches were an endless string of offbeats, IIRC.
Another non-Williams-esque Williams score? Empire of the Sun.
Another non-Williams-esque Williams score? Empire of the Sun.
Jeez, it's been forever since I heard that one-- I was just listening through a greatest hits CD that I have and Sugarland Express, the main theme, at any rate, also struck me as being very different.
Whoa, I wanna see this.
Technotise - Serbian animated science fiction movie. Looks gorgeous and cool badass heroine.
(ganked from IO9)