Willow ,'Showtime'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Katharine Hepburn movies shouldn't be remade ever by anyone.
I actually like the remake of Sabrina better than the original despite liking Audrey Hepburn and Bogart quite a bit. I can't get past the fact that Hepburn and Bogart really couldn't stand each other when they are making the original. They have no chemistry on-screen.
That's because Bogie used up all the chemistry there was with Lauren Bacall in To Have and Have Not ten years earlier!
That's because Bogie used up all the chemistry there was with Lauren Bacall in To Have and Have Not ten years earlier!
And The Big Sleep!
Don't shortchange them... they were plenty sparky in Key Largo, too.
Glad I'm not the only one with a small soft spot for the Sabrina remake. The thing is, Audrey Hepburn wasn't just pretty and radiant, she was a fantastic actress; she could easily carry and flesh out an underwritten script like the original, but she could have knocked the remake out of the park too, if she'd gotten a chance to sink herself into all that lovely language.
Don't shortchange them... they were plenty sparky in Key Largo, too.
Yes. It's sad that they only managed to be in four films together.
Haven't read the white font just yet, but my initial, fairly untainted reaction to TDK was "Okay."
Maybe it was about halfway through I really needed to pee, but I just didn't feel it. It had some wonderful moments, and I really enjoyed the talky bits (yes, I did peek a bit), if only because they were the few character moments before it was plotty plotty Action! What I liked most about Batman Begins was the first half, all those character bits, and the action-packed end left me a bit cold.
It truly was dark, horrific, hopeless, despairing, and bleak, which I suppose made the outcome of the two ferries that much more joyful. I suppose when I heard "dark" I really didn't expect so much of it. So extensive. I was expecting it to all emenate from the Joker, but he was also the only one who brought any [horrific] levity to the piece.
Maybe I'd like it better upon rewatch, now knowing what to expect. And maybe it really was that I shouldn't have had that small Cherry Coke.
Off to the beginning of the discussion!
P-C, i have to own up and say that when the Joker made the pencil "disappear", i cracked up and almost didn't hear the subsequent lines because i was laughing so hard. i was suitable horrified, but yeah. i think it was the delivery of the whole thing...
I disliked the bat-voice half the time, when it sounded like Bale had a lisp, and the other half didn't mind it.
And one of the thoughts racing through my mind during the final scene between the Joker and Batman was "OMG! It's the Master and the Doctor! In a slashfic!"
when it sounded like Bale had a lisp,
Doesn't Bale actually have a lisp? Or is that the Welsh accent trying to break through the American accent?
(Haven't seen TDK yet, but did watch Batman Begins last night.)
i was suitable horrified, but yeah. i think it was the delivery of the whole thing...
Heh, no, I agree that the delivery calls for laughter. He's the Joker, after all. Part of me wanted to laugh, but part of me was just trying to imagine the physics of it. Just the physical force with which he had to have pushed the guy's head down to IMPALE IT ON THE ERASER END OF A PENCIL. Ergh.