Anya ,'Bring On The Night'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
because I love scores: I'm watching a documentary on the creation of the universe, and they used one of John Murphy's tracks from 28 Days Later. My favorite track, too! "An Ending/Ascent" Love! /random
Tiggy, skip the last three (although it depends on what you're in the mood for). I'd like to hear another opinion on 3:10, personally.
I adore the 28 Days Later score. I need to buy it. I know no track names, but the song that plays when he discovers the abandoned London--love.
ended up schlupping around on the net instead of watching a movie. i'm so not going to meet my 100 in '07 challenge.
ita, if you adore the 28 Days Later soundtrack, also kick in for 28 Weeks Later: Same composer, same themes, but expanded on (although unfortunately no whimsical interludes like the painted driving scene or the grocery shopping scene, but it was a different breed of movie).
I was so sad watching 28 Weeks Later. It wasn't even different like Beyond the Thunderdome is different from Mad Max , or how Chronicles of Riddick was different from Pitch Black, it just took all the wonderful themes from the original and raped them, and maybe it would have been okay except for the end (although I did enjoy that France got it).
But the music was lovely.
HE.
IS.
BEOWULF!!!!!!!!!!!!!!!!!!!!!!!!!!
He is also Sparta on weekends
I was so sad watching 28 Weeks Later.
Same here. Pete and I just watched it over the weekend, and we had to pause the DVD at one point so both of us could bitch about sloppy writing and plot holes.
It wasn't even plotholes and such, but loss of theme, which is what I thought was so wonderful about Days. They go from the themes of survival and love and what one would do to survive and sacrifce for that survival "in a heartbeat" and twisting it into some generic "but love screws things up and destroys the world!" and ugliness and random violence.
What really ruined it for me was the chick who is now on Damages turning out to be a screaming laugh-fest with her ridonkulous final scene. The movie lost me completely there.
The loss of theme bugged me, but the scene where whathisface, the dad, is able to waltz into what should be a secured quarantine area to see his wife made my eyes roll straight back into my head. Yes, I know there was line about him having "all areas access", but please. She's strapped to an exam table in a military medical section, and you expect me to believe there's no armed guard or cameras there? Ha.
Not to mention him becoming Super!Infected, surviving everything, and being able to track his kids.
Hmmph. Pete cracked up at the end scene with Paris, tho'.
Paris delighted me to no end, and yeah, the dad gaining access to what would have been a military guarded zone (sure he *had* access, but in that instance?) and then being the super-special enraged infected and following his family throughout?
Logically it didn't follow, and thematically... nope. (If the second movie even had a theme besides "kill all of mankind")
I do have to say that I finally found Josh Duhamel hot, because he does nothing for me in Las Vegas.
A guy I used to work with had written his own script for a sequel to 28 Days Later that was way more fun than the actual sequel. Just for funs, but it was still a better idea than the one they ran with.