And testifying as a victim rather than as a lawman was really sticking in his craw.
I think so much this. It so went against his macho self image to say "He caught me, tied me to a tree, and used me as Pinata. And it hurt like hell." What he said was true on some level but it was also bullshit to avoid having to admit that he really was the victim.
Is that her name?
I was making a guess based on someone mentioning the name upthread, but now I'm not sure.
I think Loretta is the teenager that Mags kind of adopted last season.
I don't recall the name of the bar owner.
Yeah, I want to say "Rita," but I'm not sure...A lot of shit happened, as always.
Also, the line to console Raylan in his victimization forms behind me and Scrappy.
(probably the one line in my life I wouldn't get embarrassed to get the crip cut for...IJS.)ETA: Somebody online said the bar woman is "Lindsay".
Lord, Quarles is going to lose his shit on someone. Ay ay ay.
Also, poor Wynn Duffy. There's such excellent character work done by all of the secondary characters, as always.
I love the way that the secondary characters have so much depth on this show.
BTW, I don't think that Limehouse is crazy at all. He's just pragmatic. If people have to die to keep his promises or protect his kingdom, so be it. He doesn't go looking for it, but he will deal with it.
Me, too, Vortex, on Limehouse.
Jere Burns is doing such a fantastic job as Wynn -- every expression is so delicately calibrated. The horror in his face at how very fucked he is is just awesome.
I think my thing with Quarles is too much back story. They never tried to tell us more than we needed to know about what made Mags Mags or Daddy Crowder
Daddy Crowder. We do know a hell of a lot about what made Raylan into Raylan, but that was revealed over multiple seasons. Before perspective, often paintings would show more of a figure than you could see from the same angle in real life. With perspective part of the figure is normally hidden, maybe even some of what would be visible from your angle is shadowed. That is what gives the illusion of three dimensionaliy. I think the same thing often applies in writing. Tell too much about the character, too clumsily and suddently the character becomes less real, not more.
Pretty much what you all have already said, but after watching the last two episodes, I have to note how much I love Raylan getting schooled by old ladies. He thinks he can charm anyone, but no. Old ladies are not taking his shit!