I fed off a flowerperson, and I spent the next six hours watchin' my hand move.

Spike ,'Same Time, Same Place'


Cable Drama: Still Waiting for the Cable Guy to Show Up with the Thread Name...

To be determined... (but it's definitely [NAFDA])


§ ita § - Jul 19, 2010 6:23:55 am PDT #5969 of 12003
Well not canonically, no, but this is transformative fiction.

Ask John!

It wasn't one of my favourites, but I was half dead watching it. But normally character moments stick with me, even if the nuances fall through the cracks. Not that much this time.


Polter-Cow - Jul 19, 2010 6:49:37 am PDT #5970 of 12003
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

Yeah, it wasn't very FUN.

There were some nice moments here and there (like Eliot fighting the guy in the soundproof booth), but...yeah, I can't think of much more heist-y, caper-y fun times.

It was written by M. Scott Veach, who also wrote "The Top Hat Job." Huh, I think I liked that one, though.


-t - Jul 19, 2010 6:52:29 am PDT #5971 of 12003
I am a woman of various inclinations and only some of the time are they to burn everything down in frustration

I liked the Hard Day's Night bit.

Alona Tal seems far too young to be kissing Elliot.


Zenkitty - Jul 19, 2010 6:53:07 am PDT #5972 of 12003
Every now and then, I think I might actually be a little odd.

I liked it better on second viewing, but yeah, it wasn't one of my favorites. And I wondered about the whole instant-fanbase thing too. Would Kirkwood have just said "Kenneth Crane" sang a cover of his song? He was planning for "Crane" to be dead, anyway, so he couldn't have defended himself.

I would have been happier if "Kenneth Crane" didn't sound so much like "Christian Kane", too.

I enjoyed the episode, it just didn't wow me.


Vortex - Jul 19, 2010 7:00:48 am PDT #5973 of 12003
"Cry havoc and let slip the boobs of war!" -- Miracleman

I liked the episode. I really like Christian Kane's voice, which says a lot, since I don't like country music. I even have that terrible song that he sang in the VH1 movie with Monica. They should release that on iTunes, people would buy it.

I liked hearing John Schneider sing (had a little thing for him ever since Bo Duke, although now he's a crazy Christian)

I will, however, grant that the plot didn't make much sense. It's hard to see how Kenneth Crane could have gotten such a following, but Kirkwood could steal his song. Also, didn't make sense that all of the A&R folks were suddenly after Alona after a few bars of the song.

Disbelief suspended!


Zenkitty - Jul 19, 2010 7:05:37 am PDT #5974 of 12003
Every now and then, I think I might actually be a little odd.

Also, didn't make sense that all of the A&R folks were suddenly after Alona after a few bars of the song.

I figured that might have been because not only her voice but her looks were very well suited to country-music stardom!

I could listen to CK sing all day. Sometimes I do.


Polter-Cow - Jul 19, 2010 7:06:31 am PDT #5975 of 12003
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

Alona Tal seems far too young to be kissing Elliot.

Yeah, I thought that too.

And I wondered about the whole instant-fanbase thing too

I was amused by that because it now appears to be a running gag with Eliot.

Also, didn't make sense that all of the A&R folks were suddenly after Alona after a few bars of the song.

Because she's pretty.


beekaytee - Jul 19, 2010 9:46:03 am PDT #5976 of 12003
Compassionately intolerant

I cracked up over the 'pitchy' hissy fit. "I don't think that word means what you think it means." Princess Bride FTW.


tiggy - Jul 19, 2010 9:48:35 am PDT #5977 of 12003
I do believe in killing the messenger, you know why? Because it sends a message. ~ Damon Salvatore

Alona Tal seems far too young to be kissing Elliot.

eh...there's only 9 years difference between them. CK just hasn't aged all that well.

having this episode set in a town i spent most of my childhood in made the accents buuuuuuuuuuurn. especially Alona's.

also? i already have many issues with CK and find it hard to enjoy Eliot as a character. this episode did not help that. i'm still hella amused that he's calling 'The House Rules' a new song. our definitions of new must be vastly different.


smonster - Jul 19, 2010 4:44:21 pm PDT #5978 of 12003
We won’t stop until everyone is gay.

having this episode set in a town i spent most of my childhood in made the accents buuuuuuuuuuurn. especially Alona's.

Not from Memphis, but yes. So wrong. Of course, "Worcester" didn't ping me at all! Heh.