I'm not generally a fan of lean, but I think I could make it work with him.

This.

Not TOO lean, IMO

I think he has lost bulk since that picture. He seems more lean now, but maybe I'm getting that impression because of the hat and the tallness. Still very good, but yeah, no leaner.

I think that he might be mad at Aunt Helen for taking up with Arlo not because of any sense of betrayal to his mom, but that her being with Arlo means that he doesn't get to have the same relationship with her because he doesn't want to have a relationship with his dad.

I can see that. He said something about she was the one that taught him how to talk to girls, and something else that traditionally would be a mom role, when he said she was the one that taught him how to spot a liar. That's probably another indicator that she was mothering him more than Raylan's biological mother.

Unsurprisingly, that site is blocked by my work.

I just saw last week's episode with Alan Ruck. I really liked it.

I like that I get a sense that while Raylan doesn't like what the people do that he has to arrest, or shoot, he doesn't dislike the people.

Oh, yes. I hadn't really thought about it, but I do love that he sees everyone, even the bad guys, as people. I get sick of tv LEOS calling people "scumbag".

I may have to rethink my position

After seeing that photo, so am I. Several positions, in fact.

Finally, the blonde woman is the evil bastard!

Art heckling Raylan outside his motel room was priceless "I can't stop staring at your NIPPLES!" I love that I can tell that Raylan can tell someone is lying because he again, like someone else said, looks like he smells cat piss.

Knew they were going to pull a Lady or the Tiger ending. Sweet.

Next week Raylan bounding over the table to beat the pulp out of ?Boyd? was HAWT

I loved how both the shooter boyfriend and Robert Picardo's character showed Raylan sides of himself at their worst that he doesn't acknowledge, or at least tries not to.

He was also truly frightening (in a low-key but utterly convincing way) during his "friendly" visit to his ex's husband.

I loved how both the shooter boyfriend and Robert Picardo's character showed Raylan sides of himself at their worst that he doesn't acknowledge, or at least tries not to.

Oh yeah. Oddly, with Picardo's character's reveal of his collection I was expecting Raylan to be all "yeah, I get you man", but was instead grossed out by it and therefore himself.

Oddly, with Picardo's character's reveal of his collection I was expecting Raylan to be all "yeah, I get you man, but was instead grossed out by it and therefore himself.

I'm not sure if he was grossed out so much as just realized what a waste and how tragic it was. I think he even admired the dedication but also saw way too much "there but for the grace of..." in it.

Or that, yeah.

Love that the killer is the most sympathetic, and that as vicious as the wife was, when Raylan pointed out that he didn't have to leave because the Marshall's were being kind in letting her continue to live there, man. It was just a brief glimpse, not even caught squarely in frame, but the sting as she walked away was palpable.

Love that the killer is the most sympathetic, and that as vicious as the wife was, when Raylan pointed out that he didn't have to leave because the Marshall's were being kind in letting her continue to live there, man. It was just a brief glimpse, not even caught squarely in frame, but the sting as she walked away was palpable.