I watched the premiere of Damages just after it aired, and I watched the rest of them all at once this week. I really expected more to happen in all those episodes, but nothing really did. I'm kind of obsessed with knowing how things end, so I'll probably watch the whole season, but it might sit on my DVR for a while.
William ,'Conversations with Dead People'
Cable Drama: Still Waiting for the Cable Guy to Show Up with the Thread Name...
To be determined... (but it's definitely [NAFDA])
I've watched about half of Damages, and will probably watch the rest. Just finished up Kill Point tonight. Whew, I'm kind of out of breath just watching it.
I have been watching "Damages" regularly. I like it, but I told Beau, if this is a 2 hour "mystery" that they are stringing out for 13 weeks, I'm gonna be pissed.
Interview with Tate Donovan (speaking of Damages)
Seriously, why do these people not have their photos on IMDB? [link] Crazy. I'm guessing James is the cheatin' father on State of Mind. I've seen 1 episode 3 or 4 times to catch the bits I did/did not fall asleep on.
Loved the end of Mad Men tonight. Don found an inventive way to punish Sterling for making a pass at his wife, though I was a little disappointed that he seemed to blame her for the pass being made in the first place.
I knew that hair thing would come back to bite her, but I thought it would be in a different way. I loved the friend making up the excuse to come over. So very old school
No, he was the guy who killed his partner in episode 2. (If you're talking about JM.)
Yeah, that was excellent revenge. And I was also disappointed that he blamed Betty for Roger coming onto her but then I figured that it made sense given his insecurities about who he is compared to Roger and Betty, you know? And I was pleased that the mother of the insano boy had the same reaction that we did about Betty giving him the lock of hair.
Mad Men: I wasn't surprised that Don blamed Betty for Roger's grope. One big aspect of the show is that everybody buys into the culture. That's how it works. That's how Betty's neighbor can talk about loving that look down the dress look.
Yeah, Don's smile as he leaves Roger on the landing definitely indicates that was a revenge. And planned back at at the last martini.
An interesting thing about Pete is that he's right about the future. He sees how things will play out, the little weasel. But he's the character that anticipates the changes in the sixties.
They're going to develop Peggy as a writer. That's clear. And fascinating. There were a few major female writers in the ad business in the sixties.
Has anybody else noticed that the last three episodes were either written or directed by women?
The whole show reminds me of Tim's "Are You Now..." because they use the past to illuminate the present. It's the inverse of science fiction; historical fiction as a metaphor for the present. The implication is that the sexism, racism, anti-semitism is still present but just buried in different ways.
Another vote for disappointed but not remotely surprised. This is Dick Freakin' Whitman we're talking about, after all.
And I loved Pete seeing the Kennedy youth appeal and completely not convincing any of the others. Also, various people not knowing what "dip" was.
I loved how people didn't know what chip and dip was either. I didn't realize that was a exciting new culinary adventure in 1960. Didn't Dick plan the revenge well before the lunch? Because he bribed the elevator operator much earlier.