One of the clips for next week did seem to show him following the Jet Set to the caribbean.
Was it? I thought he was somewhere like San Diego—I could've sworn I saw military ships in the background and sailors.
The money was too good. I got stupid.
Jayne ,'Ariel'
Cable Drama: Still Waiting for the Cable Guy to Show Up with the Thread Name...
To be determined... (but it's definitely [NAFDA])
Barb - Oct 13, 2008 12:47:23 pm PDT #1545 of 11998
“Not dead yet!”
Vortex - Oct 13, 2008 1:25:34 pm PDT #1546 of 11998
"Cry havoc and let slip the boobs of war!" -- Miracleman
What's been getting me about that phone call he made was how easily he said the name Dick Whitman. And he didn't repeat it, in that rusty sort of way when you haven't said a name for a long time or the person on the other line might be surprised to hear it.
exactly. whoever he called wasn't surprised to hear from him.
Jesse - Oct 13, 2008 3:56:59 pm PDT #1547 of 11998
Sometimes I trip on how happy we could be.
Was it? I thought he was somewhere like San Diego—I could've sworn I saw military ships in the background and sailors.
Yeah, that's what I saw.
There were a few things I thought were too on the mark -- that girl's name was Joy? Also, the one guy was like, "Oh, I'm gay. Therefore, I will be your new hairdresser!" @@
DavidS - Oct 13, 2008 6:26:57 pm PDT #1548 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."
"Oh, I'm gay. Therefore, I will be your new hairdresser!"
"Now is the time on Sprockets when we dance."
Though in fairness to arty German bohemians, Astrid Kirchherr wasn't a professional hairdresser, but she gave the Beatles their distinctive haircuts.
Hayden - Oct 13, 2008 6:59:11 pm PDT #1549 of 11998
aka "The artist formerly known as Corwood Industries."
Yeah, there was too much on-the-nose-ness. I was guessing that the Eurotrash were secretly penniless Romany, like in the show I never watched.
erikaj - Oct 13, 2008 7:02:37 pm PDT #1550 of 11998
Always Anti-fascist!
I totally thought about her and Klaus while he was on, Hec. I'm just glad that haircut finally went; it drove my beauty-school dropout mom insane to look at it. Every time she saw it, she thought it was supremely wrong. Even though I did think that Peggy wouldn't have hair as up to date as Joan's.
Vortex - Oct 13, 2008 7:04:19 pm PDT #1551 of 11998
"Cry havoc and let slip the boobs of war!" -- Miracleman
We've seen her with her hair different before. That time that she met the guys at the strip club, she had it up and it looked really nice.
erikaj - Oct 13, 2008 7:05:17 pm PDT #1552 of 11998
Always Anti-fascist!
Yeah, that was a good look.
DavidS - Oct 13, 2008 7:28:35 pm PDT #1553 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."
Considering how obsessive Weiner is about the style details of the show, Peggy's hair was purposefully anachronistic. Joan called it out - why do you dress like a little girl. Peggy's look was from the 50s and she hadn't moved up. So the symbolic/iconic gesture of the haircut was of Peggy owning her place in the sixties, becoming a woman etc.
Barb - Oct 14, 2008 1:54:37 am PDT #1554 of 11998
“Not dead yet!”
Y'all are right about the on the nose-ness of the Eurotrash but I thought it was just another one of those ways in which they were exhibiting the external vs. the internal. How Don must feel the life he lives in New York is so surreal and then, he's faced with utter surrealness in the form of the ET. Maybe a little 2x4 but certainly not egregious.
And Kurt having the style instincts didn't bother me so much as a stereotype since he was clearly not only an artistic type, but has a very distinct style sensibility. I mean, when he first showed up for his interview with Don, he was wearing a fisherman's sweater, and the other times we've seen him, he clearly dresses in a very different manner from most everyone else.
"Now is the time on Sprockets when we dance."
BWAH!