Never goes smooth. How come it never goes smooth?

Mal ,'Safe'


Cable Drama: Still Waiting for the Cable Guy to Show Up with the Thread Name...

To be determined... (but it's definitely [NAFDA])


DavidS - Aug 05, 2008 5:09:58 am PDT #1130 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

She was on Pushing Daisies, too, we think.

She was the Make-A-Wish lady who murdered the insurance agents who denied the transplant for the grumpy teenager.


Hayden - Aug 05, 2008 5:49:31 am PDT #1131 of 11998
aka "The artist formerly known as Corwood Industries."

I'm on the Oblivious Pete train, too.

The directing in this episode was especially stylish.

There was an overhead shot towards the beginning of Peggy lying on her bed after the party at Paul's that was an incredibly well-composed shot.

She was the Make-A-Wish lady who murdered the insurance agents who denied the transplant for the grumpy teenager.

Ah, that's right.


Vortex - Aug 05, 2008 5:56:20 am PDT #1132 of 11998
"Cry havoc and let slip the boobs of war!" -- Miracleman

Oh, I meant to say that Peggy was incredibly bitchy to the guy at the party. the "I'm in the persuasion business" thing was unnecessary, especially after she'd been making out with him in the hallway.


DavidS - Aug 05, 2008 6:55:39 am PDT #1133 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Oh, I meant to say that Peggy was incredibly bitchy to the guy at the party. the "I'm in the persuasion business" thing was unnecessary, especially after she'd been making out with him in the hallway.

I didn't think it was that bitchy. He presumed too much and was mister grab and grope. I think it takes a blunt force line like that for her to enforce boundaries.


sj - Aug 05, 2008 7:03:39 am PDT #1134 of 11998
"There are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea."

Oh, I meant to say that Peggy was incredibly bitchy to the guy at the party. the "I'm in the persuasion business" thing was unnecessary, especially after she'd been making out with him in the hallway.

I liked that scene. It's what she should have said to Pete.


sumi - Aug 05, 2008 7:12:52 am PDT #1135 of 11998
Art Crawl!!!

I liked that line too - I thought it illustrated the new confident Peggy.


Vortex - Aug 05, 2008 7:53:59 am PDT #1136 of 11998
"Cry havoc and let slip the boobs of war!" -- Miracleman

I liked that scene. It's what she should have said to Pete.

amen.

But, I would have liked it as a strong move if she hadn't just had his tongue down her throat. It made it seem less like she was being decisive and more like a whim that he said the wrong thing so he wasn't getting any.


DavidS - Aug 06, 2008 2:04:53 pm PDT #1137 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Very interesting personal piece on being an ad man in the 70s.

I want to live in a penthouse in Rome!

Also, does anybody have that link on the real life inspiration for Rachel's character?


Java cat - Aug 08, 2008 5:21:00 pm PDT #1138 of 11998
Not javachik

My fondness for "Big Love" has me starting to seek out books about real polygamy. Found, re Big Love, in a Slate summary, My Life in a Polygamist Compound, Carolyn Jessop's FLDS memoir, condensed.

[link]

Page 333: Carolyn decided to flee in 2003, soon after Jeffs finally became prophet. She took her eight children, including her profoundly disabled son, to Salt Lake City. As she and her family struggled to adjust to the outside world, Carolyn developed post-traumatic stress disorder. But as she worked to make ends meet, her polygamy background came in handy: An HBO costume director came to town, and Jessop says she made some money sewing costumes for Big Love, HBO's series about a suburban polygamous family connected to an FLDS-like cult.


Barb - Aug 10, 2008 3:06:50 pm PDT #1139 of 11998
“Not dead yet!”

Finally watched last week's Mad Men, in time for tonight's and just quick observations:

-Peggy is dealing with a massive dose of denial, but in that recognizes what she did and how it affects her family, but uses avoidance as a fabulous technique for not dealing. She's convinced herself it doesn't really have anything to do with her any longer, it seems like.

-Pete was just so lost and that shot of him staring out over the office pool, the look on his face showing so clearly that he's marveling at how the world can go on.

-His Devil's pact with Duck is going to come back to bite him on the ass.

-Going to be interesting to see how Don reacts to Duck playing Pete against him this way.