Jayne: 'Cause I don't know these folks. Don't much care to. Mal: They're whores. Jayne: I'm in.

'Heart Of Gold'


Cable Drama: Still Waiting for the Cable Guy to Show Up with the Thread Name...

To be determined... (but it's definitely [NAFDA])


sj - Jun 24, 2013 5:55:35 am PDT #10913 of 11998
"There are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea."

My biggest disappoint this season was that Joan didn't have much of a storyline or much screen time. But I am hoping that the fact that she is still spending time with Bob and the fact that she is letting Roger into her son's life means that she will have a bigger role next season.

And did you notice the last shot of her in that office was this sillhouette? Aw, yeah.

I did not notice, but that is awesome.

I loved Don last night, but I am skeptical of his ability to really change.

A theory on how Mad Men ends: [link]

I love this theory.


DavidS - Jun 24, 2013 7:30:38 am PDT #10914 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Ooh, an intriguing insight for the previous episode ganked from the Guardian Blog:

Is it too obvious to point out that Don plays the part of Rosemary's satanic baby here? It's not just in Peggy and Ted's breakdown of the ad. He starts the episode in the foetal position in Sally's bed, then plays the baby in the ad and then is in the foetal position again on his office sofa when Peggy calls him 'a monster'.

Furthermore, in the ad runthrough, Peggy plays the mother.

This is my rather Freudian take: Don always, as here, has a plausible reason for the things he does regarding Peggy, but the result is insistently the same: Peggy gets sidelined and denied recognition. It's becoming impossible not to see this as a pattern. I think Don is quite unconsciously punishing Peggy for giving up her baby, because it's what his mother did to him.

All babies are monsters. Either they get what they want from their mothers or they protest furiously. It's appropriate for a baby, but not for an adult, who is able to understand the complicating factors that prevent mothers being perfect lady bountifuls. Don is depicted as a demonic baby here because he's never got beyond this monstrously egotistical infant worldview.


§ ita § - Jun 24, 2013 10:39:28 am PDT #10915 of 11998
Well not canonically, no, but this is transformative fiction.

Is anyone watching Graceland? I'm glad they make a deal about this being based on a real thing, because the idea looks like prime cable adventure and unworkable in real life. How is a house full of undercover agents not a massive liability for every case, every agency involved?

Still, nefarious Sunjata--I'm in. And the kid is a good find--he's not quite Michael Ross (I think he's the boy lightning in the bottle--sad to see that Kate Reed is not the girl version--I liked the show, whatever it was, and Baron Vaughn is amazing) but he grew on me more than I was expecting.

SO GLAD Burn Notice is on the way out. Talk about beating a dead horse. That poor fucking premise...

Will Psych ever be cancelled?


Tom Scola - Jun 24, 2013 11:11:17 am PDT #10916 of 11998
Mr. Scola’s wardrobe by Botany 500

Will Psych ever be cancelled?

It needs to be. At least Burn Notice knows it's its last season, and it can try to wrap things up.


le nubian - Jun 24, 2013 11:13:26 am PDT #10917 of 11998
"And to be clear, I am the hell. And the high water."

One of the things that tickled at the back of my brain watching this ep is the representation of the 7 deadly sins in this episode. It is a bit of a stretch, but it kept poking at me. Intentionally or not, we saw representations of the seven deadly sins during the final episode this season. So there were callbacks to Hell and the first ep of the season (as well to recurring themes throughout the series), but I saw specific references to the sins: lust, gluttony, greed, sloth, wrath, envy, and pride. Sloth and Wrath are perhaps the only stretches. Perhaps Megan's reaction to Don not leaving NYC is the closest to Wrath and Sloth, as the "failure to do things one should do" is pretty much what got Don put on leave in the first place. As was gluttony.


DavidS - Jun 24, 2013 11:17:21 am PDT #10918 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

I've heard there's some structural relationship in this season of MM to Dante's circles of Hell. I think the 8th circle was fraud?


DavidS - Jun 24, 2013 11:28:47 am PDT #10919 of 11998
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

My favorite reply from an interview with Kiernan Shipka:

*******

So you don’t roll your eyes as much?

My eyes, by the end of this season, were so rolled out. I couldn’t move them! I was afraid they were going to freeze like that some times. Literally every scene I had to do at least three eye rolls. I’m getting so good at it now.


-t - Jun 24, 2013 11:37:31 am PDT #10920 of 11998
I am a woman of various inclinations and only some of the time are they to burn everything down in frustration

I got a hint of that, le nubian, but didn't feel motivated to pursue it. But I think there' something there.


§ ita § - Jun 24, 2013 1:26:36 pm PDT #10921 of 11998
Well not canonically, no, but this is transformative fiction.

It needs to be

I am appreciating that Gus is better written now than he's been at any other point in the series, but does it have to be a zero sum game? The show's got so much schtick that "just solving some more mysteries" is tiring, especially since it's such a Perky Damned Schtick.


Polter-Cow - Jun 24, 2013 2:08:13 pm PDT #10922 of 11998
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

I am appreciating that Gus is better written now than he's been at any other point in the series

I can't believe they actually remembered he has a pharmaceutical job. I feel like that's been invisible for years.