Gunn: Well, how horrible is this thing? Lorne: I haven't read the Book of Revelations lately, but if I was searching for adjectives, I'd probably start there.

'Hell Bound'


Boxed Set, Vol. IV: It's always suicide-mission this, save-the-planet that.  

A topic for the discussion of Farscape, Smallville, and Due South. Beware possible invasions of Stargate, Highlander, or pretty much any other "genre" (read: sci fi or fantasy) show that captures our fancy. Expect Adult Content and discussion of the Big Gay Sex.

Whitefont all unaired in the U.S. ep discussion, identifying it as such, and including the show and ep title in blackfont.

Blackfont is allowed after the show has aired on the east coast.

This is NOT a general TV discussion thread.


Polter-Cow - May 11, 2007 8:49:13 am PDT #1215 of 10001
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

SailAweigh is me. I am unpinged.

I didn't realize "blacks are strong" was a stereotype. I actually thought Jake was going against stereotype, because I think soldiers are usually portrayed as white.

I also didn't put "lesbian" together with "killing touch" as some sort of commentary. It wasn't central to her character. She could have just as well been heterosexual. I think it was just a matter of, hey, she could also just as well be a lesbian, so why not? I hate that everything has to be handled with kid gloves; I thought the whole point of equality was that people aren't that different from each other. The lesbian died, sure, but so did the heterosexual woman, PLUS she was evil.


§ ita § - May 11, 2007 9:03:45 am PDT #1216 of 10001
Well not canonically, no, but this is transformative fiction.

I thought the whole point of equality was that people aren't that different from each other.

It's not an instant switch. There will always be things that are tasteless in some contexts, or at best trigger so many other associations that the original point is obscured.

What I'm interested in is where that line lies for other people.

For me, the race of a young man hung from a tree is not interchangeable. If the guy is white, I can feel a range of emotions based on what the writing's trying to do. If the guy is black, I can't hear the words anymore and I'm flashed back to black men being lynched by rampaging mobs for little to no reason, and with no redress.

Everyone has their own issues--if I was watching a British piece that did that, I honestly would be less pinged. That's nowhere the icon of prejudice in the UK. Here, I think it's way too close.

You can't be all equal now and ignore entirely when you weren't. People are still merely human.


smonster - May 11, 2007 9:07:01 am PDT #1217 of 10001
We won’t stop until everyone is gay.

I thought the whole point of equality was that people aren't that different from each other.

Equality is all well and good, but I believe that is important to keep overdone tropes in mind when creating fictional characters. I see the way that characters are handled within a cultural and historical context. There is a long history of queer characters being punished for their sexuality by death, and that death being associated with a sexual act. So when the only queer character we've ever seen on SPN kills her girlfriend by touching her, it pings me enough to mention it.

I think ita makes a good point with the hanging of a black character, above. If, say, Lilly had ended up beaten and strung up on a fence post, well, I'd be making a lot more noise about it.

P-C, honestly curious - does the way that South Asian characters are portrayed in popular culture ever bother you?


smonster - May 11, 2007 9:12:20 am PDT #1218 of 10001
We won’t stop until everyone is gay.

You can't be all equal now and ignore entirely when you weren't. People are still merely human.

Yes, this. It's like people pretending that racism doesn't exist anymore, or that feminism is no longer relevant. Pop culture in general and SPN in particular inter-reference and allude all the time. There are connections and things resonate, and that includes the handling of minority characters.

Clearly, YMMV, as we're seeing in this thread.

ita, I said above but will repeat in response to your poll: I do not associate strength or betrayal with black characters. I associated Jake more with his soldier role, but don't necessarily feel that that role was necessarily handled that well.

eta totally not going all Kitten here. And now I have to leave my computer, so if I don't respond immediately, that's why.


§ ita § - May 11, 2007 9:14:59 am PDT #1219 of 10001
Well not canonically, no, but this is transformative fiction.

don't necessarily feel that that role was necessarily handled that well

It worked for me in the recognition of authority through fear, and a certain remorselessness. The betrayal at the end--I'd have liked to see his soldier façade explicitly crack some, or get more of a sense that he wasn't a great soldier. I didn't see the play of emotions across his face that'd nuance it for me.

That being said--who said Sam was in his army? Still, I'd ask for more there.


P.M. Marc - May 11, 2007 9:17:49 am PDT #1220 of 10001
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

I'll have to finish my rewatch, but wasn't Jake's motivation not only, only one of us can get out, but the conviction that he was the stronger of the two, and thus the most likely to be able to kill the demon?


Polter-Cow - May 11, 2007 9:22:58 am PDT #1221 of 10001
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

P-C, honestly curious - does the way that South Asian characters are portrayed in popular culture ever bother you?

Yes, because they're always portrayed as convenience store owners and never as motel owners, which is closer to the truth.

But seriously, I don't think I've even seen that many South Asian characters in popular culture. They're usually convenience store owners or doctors, and I do like when they're not, but I don't make a fuss when they are. At least Indian actors are getting work, right? And, yes, I think that if SPN introduced an Indian character and then killed him off, I would be a little miffed, but it's the nature of the beast with this show, as someone mentioned.


§ ita § - May 11, 2007 9:24:02 am PDT #1222 of 10001
Well not canonically, no, but this is transformative fiction.

wasn't Jake's motivation not only, only one of us can get out

Hmm. So, if Ava's dead, they can all leave. Is the assumption on the part of the YED that whoever wins will want to stay? So Sam's a bad choice because he wants to save everyone and leave, and Jake's a little less bad because he is willing to kill to leave. Still, much with the leaving.

At least, that's the conviction I felt. Not sure about whether he was then going to go on a rampage against the darker forces (which makes me think--I'd love to see the boys create a Hunter as a byproduct of their weekly adventures).


Ailleann - May 11, 2007 9:28:03 am PDT #1223 of 10001
vanguard of the socialist Hollywood liberal homosexualist agenda

(which makes me think--I'd love to see the boys create a Hunter as a byproduct of their weekly adventures)

It would be most excellent if a family member of a victim they've dealt with would show up later as a hunter.

but the conviction that he was the stronger of the two, and thus the most likely to be able to kill the demon?

I read it that way. Probably something that the YED told him (even though he's a LYING LIAR WHO LIES) (or was it someone else?!?) convinced him that he would have to do this, and that Sam would be an unfortunate casualty.

(BTW, I'm so proud of Sam for holding strong in the face of this. I think that's all the answer he needs as to the quality of his character. (Because he's not dead, no sir.))


Lee - May 11, 2007 9:28:35 am PDT #1224 of 10001
The feeling you get when your brain finally lets your heart get in its pants.

Equality is all well and good, but I believe that is important to keep overdone tropes in mind when creating fictional characters. I see the way that characters are handled within a cultural and historical context. There is a long history of queer characters being punished for their sexuality by death, and that death being associated with a sexual act. So when the only queer character we've ever seen on SPN kills her girlfriend by touching her, it pings me enough to mention it.

Exactly this.

I was pinged by the "dead lesbian" trope, but not Jake. I reacted to Lily's death by rolling my eyes back in my head and muttering, "Oh, show. Honestly."

I don't know if Jake would have pinged me if it weren't for Lily and to a lesser extent Gordon. If I look at it without considering the rest of this ep or Hunted, I would think/agree that Jake was written fairly race neutrally, and the actor just happened to be black.

However, Jake didn't happen in a vacuum. We already had Gordon, who raised some flags, and then the Dead Lesbian/Lesbian sex=death was followed by a black character being superstrong and untrustworthy. I don't think it was intended to be negative or sterotypical, but it did make me roll my eyes and wish they had looked at the total picture more carefully.