And your Connor/Wes, is really good, I would say I'm going to the Special Hell for wanting to see the sex, but I'm already on the express train for enjoying Victoria P.'s Firefly story.
Yeah, no SHIT. I really, really, really shouldn't have enjoyed it as much as I did.
Oh, Ali, did you read Te's? I've got a first class berth on the train.
The words held meanings tangled like ivy in underbrush. Nothing so simple as hatred in them. Resignation, anger, pain, loss, love.
Quibble - this bit doesn't sound like Connor to me. He's not much with the flowery language. Your Wesley's fabulous, though, which is amazing considering how little interest you have in him as a character... oh, wait.
Your Wesley's fabulous, though, which is amazing considering how little interest you have in him as a character... oh, wait.
Snerk. I have no idea what you mean.
Yeah, I was going for a hunting theme, and wound up with something more christmas-y.
Will rework it at home.
Stupid hitting enter twice thing.
He hadn't felt like that with Willow. With Willow it had been like a car crash, where everything seems to be in slow motion, but in reality it's going so fast there's no time to stop. Except maybe with Willow it was the opposite, they went so slow that it felt like superspeed.
This is great, askye. Perfect.
Skye and P.M.... read your alley-way moments and they were terrific, both. Believe me when I say I understand how stubborn some characters can be.
I would really like it if, say, Connor and Wesley would stop with the talking for a minute.
And I'd like it very much if Gunn could break free enough of his Fred love to take Lilah up on her offer.
I can't believe I'm writing Gunn/Lilah.